Seated at gallant Hotspur's side, A thousand years ago. "Gaze on the abbey's ruined pile; Does not the succoring Ivy, keeping Still tells, in melancholy glory, The Percy's proudest border story. "That day its roof was triumph's arch; The music of the trump and drum. After two or three more stanzas, written in the same spirit, the jeering fiend comes over Mr. Halleck, and he breaks off thus: "I wandered through the lofty halls, Trod by the Percies of old fame, Each high, heroic name. From him who once his standard set, Where now o'er mosque or minaret Glitter the Sultan's crescent moons, To him who when a younger son Fought for King George at Lexington, A major of dragoons!" Was the temptation of rhyming "dragoons" to moons too strong for the poet, or did his American indignation, to find a Percy against the cause of freedom, in the old war, dissipate the chivalric vision? When we read this for the first time, we were under the momentary impression that we had got hold of, by mistake, "The Rejected Addresses," so like a parody on Sir Walter Scott did the verses sound: To proceed, however, with Mr. Halleck's own account of the matter, he says: "The last half stanza: it has dashed From my warm lips the sparkling cup, And this, alas! its market day, And beasts and borderers throng the way, Oxen and bleating lambs in lots, Men in the coal and cattle line, From Teviot's bard and hero land, The poet concludes this address to the Home of the Percies: "You'll ask if yet the Percy lives In the armed pomp of feudal state? Of Hotspur and the gentle Kate, A chambermaid whose lip, and eye, And cheek, and brown hair, bright and curling, And one, half-groom, half-seneschal, Who bowed me through the court, bower, hall, For ten and six pence sterling." As a proof of the fire with which Halleck treats a congenial theme, we quote some verses from his Marco Bozzaris. This brave warrior fell in an attack on the Turkish camp, during the Grecian war for independence, in 1823. The opening is full of spirit and beauty. "At midnight in his guarded tent, The Turk was dreaming of the hour In dreams through camp and court he bore In dreams his song of triumph heard; As Eden's garden bird." As a contrast to this supine security, the following stanza is artistically brought in. It introduces the hero with fine effect: "At midnight, in the forest shades, Bozzaris ranged his Suliote band, True as the steel of their tried blades, There had the Persian's thousands stood, And now they breathed that haunted air, "An hour past on: the Turk awoke, He woke to hear his sentries shriek, To arms! they come! the Greek! the Greek!' He woke to die midst flame and smoke, Strike! till the last armed foe expires; They fought, like brave men, long and well; Bleeding at every vein. His few surviving comrades saw His smile when rang their proud hurrah, And the red field was won: Then saw in death his eyelids close, Like flowers at set of sun. Bozzaris! with the storied brave, Greece mustered in her glory's time, Rest thee; there is no prouder grave, Even in her own proud clime. She wore no funeral weeds for thee, Nor bade the dark hearse wave its plume, Like torn branch from death's leafless tree, In sorrow's pomp and pageantry, The heartless luxury of the tomb! But she remembers thee as one Long-loved and for a season gone. For thee her poet's lyre is wreathed Her marble wrought-her music breathed- And she the mother of thy boys, The memory of her hundred joys, |