The Popular Music Studies ReaderAndy Bennett, Barry Shank, Jason Toynbee The Popular Music Studies Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. A wide range of international contributors featuring some of the biggest names in popular music and cultural studies including Philip Auslander, Paul Gilroy and Kodwo Eshun and discuss: * the increasing participation of women in the industry The Popular Music Studies Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives, and examines the global nature of the music industry. |
From inside the book
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... METAL SCENE 128 PART FOUR POPULAR MUSIC AND EVERYDAY LIFE Andy Bennett INTRODUCTION TO PART FOUR 137 16 Tia DeNora MUSIC AND SELF - IDENTITY 141 17 Michael Bull FILMIC CITIES : THE AESTHETIC EXPERIENCE OF THE PERSONAL - STEREO USER 148 ...
... Metal culture and was co - editor ( with Andy Bennett ) of After Subculture ( Palgrave , 2004 ) . A full list of his publications can be found at www.kahn-harris.org . Marjorie D. Kibby is a Senior Lecturer in Communication and NOTES ON ...
... metal and punk rock , tentatively titled ' The noise of youth : rethinking rock through the metal / punk continuum ' . Gayle Wald teaches English at The George Washington University . In addition to riot grrrl , she has published on boy ...
... Metal scene ' , Popular Music , 19 ( 1 ) : pp . 13-30 , 2000 , University of Cambridge Press , reprinted with permission of the author and the publisher . ( Previously published under the name of Keith Harris . ) Kibby , M.D. , Home on ...
... metal music , which he argues is ' essential to the survival of underprivileged young people living in harsh urban environments , ' to make his case . He argues that the sounds of a successful environment - the quiet purr of a nice auto ...
Contents
IN THE GROOVE OR BLOWING YOUR MIND? THE PLEASURES OF MUSICAL REPETITION | 15 |
THIS IS NOT A STORY MY PEOPLE TELL MUSICAL TIME AND SPACE ACCORDING TO LAURIE ANDERSON | 21 |
HOME IS LIVING LIKE A MAN ON THE RUN JOHN CALES WELSH ATLANTIC | 29 |
FAMILY VALUES IN MUSIC? BILLIE HOLIDAYS AND BING CROSBYS ILL BE SEEING YOU | 36 |
SUBJECTIVITY AND SOUNDSCAPE MOTORBIKES AND MUSIC | 44 |
INTRODUCTION TO PART TWO | 53 |
LITTLE GIRL BLUE | 57 |
BLACK SOUND BLACK BODY JIMI HENDRIX THE ELECTRIC GUITAR AND THE MEANINGS OF BLACKNESS | 64 |
TECHNOBANDA AND THE POLITICS OF IDENTITY | 208 |
VOICES FROM THE MARGINS RAP MUSIC AND CONTEMPORARY CULTURAL PRODUCTION | 216 |
INTRODUCTION TO PART SIX | 227 |
THE INDUSTRIALIZATION OF MUSIC | 231 |
MUSICIANS IN HOLLYWOOD WORK AND TECHNOLOGICAL CHANGE IN ENTERTAINMENT INDUSTRIES 19261940 | 239 |
THE BRITISH DANCE MUSIC INDUSTRY A CASE STUDY OF INDEPENDENT CULTURAL PRODUCTION | 246 |
PROFITING FROM CREATIVITY? THE MUSIC INDUSTRY IN STOCKHOLM SWEDEN AND KINGSTON JAMAICA | 253 |
INTRODUCTION TO PART SEVEN | 265 |
MAKING UP AND SHOWING OFF WHAT MUSICIANS DO | 71 |
WAR IN THE JUNGLE | 78 |
LIVENESS PERFORMANCE AND THE ANXIETY OF SIMULATION | 85 |
INTRODUCTION TO PART THREE | 95 |
UNDERSTANDING HIPNESS SUBCULTURAL CAPITAL AS FEMINIST TOOL | 99 |
SUBCULTURES OR NEOTRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH STYLE AND MUSICAL TASTE | 106 |
PUNK ROCK AT RAULS THE PERFORMANCE OF CONTRADICTION | 114 |
RULES OF REBELLION SLAMDANCING MOSHING AND THE AMERICAN ALTERNATIVE SCENE | 121 |
ROOTS? THE RELATIONSHIP BETWEEN THE GLOBAL AND THE LOCAL WITHIN THE EXTREME METAL SCENE | 128 |
INTRODUCTION TO PART FOUR | 137 |
MUSIC AND SELFIDENTITY | 141 |
FILMIC CITIES THE AESTHETIC EXPERIENCE OF THE PERSONALSTEREO USER | 148 |
BEAUTIFUL MUSIC THE RISE OF EASYLISTENING FM | 156 |
SCANNING AETHER TALK | 164 |
INTRODUCTION TO PART FIVE | 175 |
JEWELS BROUGHT FROM BONDAGE BLACK MUSIC AND THE POLITICS OF AUTHENTICITY | 179 |
ZOUK AND THE ISLES OF THE CARIBEES | 187 |
THE LOCAL AND GLOBAL IN NORTH AFRICAN POPULAR MUSIC | 194 |
ASIAN KOOL? BHANGRA AND BEYOND | 201 |
THE MATERIAL HETEROGENEITY OF RECORDED SOUND | 269 |
RATIONALIZATION AND DEMOCRATIZATION IN THE NEW TECHNOLOGIES OF POPULAR MUSIC | 276 |
MUSICTECHNOLOGYPRACTICE MUSICAL KNOWLEDGE IN ACTION | 283 |
FUTURHYTHMACHINE AN INTERVIEW WITH KODWO ESHUN | 292 |
HOME ON THE PAGE A VIRTUAL PLACE OF MUSIC COMMUNITY | 295 |
INTRODUCTION TO PART EIGHT | 305 |
COMMERCIAL RADIO AND POPULAR MUSIC PROCESS OF SELECTION AND FACTORS OF INFLUENCE | 309 |
YO QUIERO MI MTV MAKING MUSIC TELEVISION FOR LATIN AMERICA | 317 |
POPULAR SONGS AND COMIC ALLUSION IN CONTEMPORARY CINEMA | 326 |
ANGLOAMERICAN MUSIC JOURNALISM TEXTS AND CONTEXTS | 333 |
INTRODUCTION TO PART NINE | 343 |
WOMEN MAKING MUSIC SOME MATERIAL CONSTRAINTS | 347 |
SMELLS LIKE TEEN SPIRIT RIOT GRRRLS REVOLUTION AND WOMEN IN INDEPENDENT ROCK | 355 |
WOMEN AND THE EARLY BRITISH RAVE SCENE | 370 |
HOUSEWIVES CHOICE FEMALE FANS AND UNMANLY MEN | 377 |
382 | |
396 | |