The Popular Music Studies ReaderAndy Bennett, Barry Shank, Jason Toynbee The Popular Music Studies Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. A wide range of international contributors featuring some of the biggest names in popular music and cultural studies including Philip Auslander, Paul Gilroy and Kodwo Eshun and discuss: * the increasing participation of women in the industry The Popular Music Studies Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives, and examines the global nature of the music industry. |
From inside the book
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... MOSHING AND THE AMERICAN ALTERNATIVE SCENE 121 15 Keith Kahn - Harris ' ROOTS ' ?: THE RELATIONSHIP BETWEEN THE GLOBAL AND THE LOCAL WITHIN THE EXTREME METAL SCENE 128 PART FOUR POPULAR MUSIC AND EVERYDAY LIFE Andy Bennett INTRODUCTION ...
... moshing and the American alternative scene ' , Popular Music , 18 ( 3 ) : pp . 397-407 , 1999 , University of Cambridge Press . Reprinted with permission of the author and the publisher . Waksman , S. ( 1999 ) ' Black sound , black body ...
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Contents
IN THE GROOVE OR BLOWING YOUR MIND? THE PLEASURES OF MUSICAL REPETITION | 15 |
THIS IS NOT A STORY MY PEOPLE TELL MUSICAL TIME AND SPACE ACCORDING TO LAURIE ANDERSON | 21 |
HOME IS LIVING LIKE A MAN ON THE RUN JOHN CALES WELSH ATLANTIC | 29 |
FAMILY VALUES IN MUSIC? BILLIE HOLIDAYS AND BING CROSBYS ILL BE SEEING YOU | 36 |
SUBJECTIVITY AND SOUNDSCAPE MOTORBIKES AND MUSIC | 44 |
INTRODUCTION TO PART TWO | 53 |
LITTLE GIRL BLUE | 57 |
BLACK SOUND BLACK BODY JIMI HENDRIX THE ELECTRIC GUITAR AND THE MEANINGS OF BLACKNESS | 64 |
TECHNOBANDA AND THE POLITICS OF IDENTITY | 208 |
VOICES FROM THE MARGINS RAP MUSIC AND CONTEMPORARY CULTURAL PRODUCTION | 216 |
INTRODUCTION TO PART SIX | 227 |
THE INDUSTRIALIZATION OF MUSIC | 231 |
MUSICIANS IN HOLLYWOOD WORK AND TECHNOLOGICAL CHANGE IN ENTERTAINMENT INDUSTRIES 19261940 | 239 |
THE BRITISH DANCE MUSIC INDUSTRY A CASE STUDY OF INDEPENDENT CULTURAL PRODUCTION | 246 |
PROFITING FROM CREATIVITY? THE MUSIC INDUSTRY IN STOCKHOLM SWEDEN AND KINGSTON JAMAICA | 253 |
INTRODUCTION TO PART SEVEN | 265 |
MAKING UP AND SHOWING OFF WHAT MUSICIANS DO | 71 |
WAR IN THE JUNGLE | 78 |
LIVENESS PERFORMANCE AND THE ANXIETY OF SIMULATION | 85 |
INTRODUCTION TO PART THREE | 95 |
UNDERSTANDING HIPNESS SUBCULTURAL CAPITAL AS FEMINIST TOOL | 99 |
SUBCULTURES OR NEOTRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH STYLE AND MUSICAL TASTE | 106 |
PUNK ROCK AT RAULS THE PERFORMANCE OF CONTRADICTION | 114 |
RULES OF REBELLION SLAMDANCING MOSHING AND THE AMERICAN ALTERNATIVE SCENE | 121 |
ROOTS? THE RELATIONSHIP BETWEEN THE GLOBAL AND THE LOCAL WITHIN THE EXTREME METAL SCENE | 128 |
INTRODUCTION TO PART FOUR | 137 |
MUSIC AND SELFIDENTITY | 141 |
FILMIC CITIES THE AESTHETIC EXPERIENCE OF THE PERSONALSTEREO USER | 148 |
BEAUTIFUL MUSIC THE RISE OF EASYLISTENING FM | 156 |
SCANNING AETHER TALK | 164 |
INTRODUCTION TO PART FIVE | 175 |
JEWELS BROUGHT FROM BONDAGE BLACK MUSIC AND THE POLITICS OF AUTHENTICITY | 179 |
ZOUK AND THE ISLES OF THE CARIBEES | 187 |
THE LOCAL AND GLOBAL IN NORTH AFRICAN POPULAR MUSIC | 194 |
ASIAN KOOL? BHANGRA AND BEYOND | 201 |
THE MATERIAL HETEROGENEITY OF RECORDED SOUND | 269 |
RATIONALIZATION AND DEMOCRATIZATION IN THE NEW TECHNOLOGIES OF POPULAR MUSIC | 276 |
MUSICTECHNOLOGYPRACTICE MUSICAL KNOWLEDGE IN ACTION | 283 |
FUTURHYTHMACHINE AN INTERVIEW WITH KODWO ESHUN | 292 |
HOME ON THE PAGE A VIRTUAL PLACE OF MUSIC COMMUNITY | 295 |
INTRODUCTION TO PART EIGHT | 305 |
COMMERCIAL RADIO AND POPULAR MUSIC PROCESS OF SELECTION AND FACTORS OF INFLUENCE | 309 |
YO QUIERO MI MTV MAKING MUSIC TELEVISION FOR LATIN AMERICA | 317 |
POPULAR SONGS AND COMIC ALLUSION IN CONTEMPORARY CINEMA | 326 |
ANGLOAMERICAN MUSIC JOURNALISM TEXTS AND CONTEXTS | 333 |
INTRODUCTION TO PART NINE | 343 |
WOMEN MAKING MUSIC SOME MATERIAL CONSTRAINTS | 347 |
SMELLS LIKE TEEN SPIRIT RIOT GRRRLS REVOLUTION AND WOMEN IN INDEPENDENT ROCK | 355 |
WOMEN AND THE EARLY BRITISH RAVE SCENE | 370 |
HOUSEWIVES CHOICE FEMALE FANS AND UNMANLY MEN | 377 |
382 | |
396 | |