JahrbuchQuelle & Meyer, 1986 |
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Page 28
The first is from As You Like It : Hee , that a Foole doth very wisely hit , Doth very foolishly , although he smart Seeme senselesse of the bob . If not , The Wise - mans folly is anathomiz'd Euen by the squandring glances of the foole ...
The first is from As You Like It : Hee , that a Foole doth very wisely hit , Doth very foolishly , although he smart Seeme senselesse of the bob . If not , The Wise - mans folly is anathomiz'd Euen by the squandring glances of the foole ...
Page 30
... first place , anonymity must always yield to plausibility ; in the second , when prob- abilities are equal , anonymity must yield to individuality . If the characteristic weakness of eighteenth - century editors is their tendency to ...
... first place , anonymity must always yield to plausibility ; in the second , when prob- abilities are equal , anonymity must yield to individuality . If the characteristic weakness of eighteenth - century editors is their tendency to ...
Page 61
... first juxtaposition ( 1.1 ) Troilus ' super - charged verse ( like the music of Richard Strauss or Scriabin at their most sensuous ) shows that he over - dramatises himself , in tune with the whole excessively emotional Trojan ethos ...
... first juxtaposition ( 1.1 ) Troilus ' super - charged verse ( like the music of Richard Strauss or Scriabin at their most sensuous ) shows that he over - dramatises himself , in tune with the whole excessively emotional Trojan ethos ...
Contents
Inventing Shakespeare By Gary Taylor | 26 |
Rites of Passage in Shakespeares Prose By Brian Vickers | 45 |
ring New York 1962 S 327 one may say of it political science that it fiddles | 59 |
Copyright | |
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Aktionsszene Antony and Cleopatra Aufführung Beatrice und Benedick beiden besonders Bloom Bochumer Bühne Cambridge characters Claudio course Cressida Darmstädter Echo deutlich Drama Dramen edition editors Edwards elisabethanischen emendation englischen Erickson ersten fact Falstaff first Frank Günther Frankfurt Frankfurter Neue Presse Gastspiel Gerhard Stadelmaier give great Hamlet Handlung Heiner Müller Heinrich Henry historischen Inszenierung Interpretation John John Neumeier Jonson Kaufmann von Venedig King Komödie König Kontext Kritiken Krone läßt Lear Leo Strauss Leser lich line London love Macbeth macht Maß Measure medium Michael Monolog moves München muß Nachrichten Neue Presse omission Othello Parolles Peter play plays Political politischen prose Regieszene Regisseur Renaissance Requisit rhythmische Rhythmus Richard Richard III Rome Romeo scene Schauspieler schen schließlich Schluß seems Shake Shakespeare Shakespeare's Shylock speak speare speech Stefanie Zweig Strauss Straussianer Stück Studie Szene Tagblatt Text Theater thee tion Tragödie Troilus unserer verse weiß Werk wieder William Shakespeare wisdom Zeitung