"Kicking Bishop Brennan Up the Arse": Negotiating Texts and Contexts in Contemporary Irish Studies
This collection of essays reconsiders aspects of Irish studies through the medium of literary and cultural theory. The author looks at the negotiations between texts and their contexts and then analyses how the writer both reflects and transforms aspects of his or her cultural milieu. The essays examine literary texts by W. B. Yeats, Seamus Heaney, James Joyce and Sean O'Faolain; media texts such as <I>Father Ted, <I>American Beauty and a series of Guinness advertisements; as well as cultural and political contexts such as globalisation, religion, the Provisional IRA and media treatment of murders in Ireland. The author also looks at aspects of the postcolonial and feminist paradigms and makes use of a theoretical matrix based on the work of Jacques Derrida and Jacques Lacan."
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advertisements Althusser Antigone aspects become Belcher binary Bishop Brennan body Catholic Celtic centre chapter church colonial commodity concept consumer contemporary context Creon critique culture dead death decision deconstruction Derrida desire discourse discussion Dubliners Eamon Casey enunciation epistemological ethical Eveline Eveline's father Father Ted female subjectivity gaze ghosts global globalisation guests hauntological hauntology haunts Heaney human identity ideology individual Jacques Jacques Derrida Joyce justice Lacan Lacanian language linguistic literary Liu Tao look male Mangan's sister meaning mirror stage Molly mother nationalist Neoptolemus Northern Ireland notion object Odysseus paradigm past patriarchal perspective Philoctetes pint of Guinness play poetry polis political Polyneices position postcolonial postmodern question relationship repressed responsibility Robert McCartney role Seamus Heaney seen selfhood sense sexual signifier Sinn Fein social speaks story structure symbolic order Thebes theory tion transformation translation voice woman women word Yeats