History Painting Reassessed: The Representation of History in Contemporary ArtDavid Green, Peter Seddon |
Contents
JONATHAN HARRIS18 | 18 |
DAVID GREEN31 | 31 |
ORIANA BADDELEY50 | 50 |
BRANDON TAYLOR66 | 66 |
PETER SEDDON82 | 82 |
JOANNA LOWRY97 | 97 |
JON BIRD112 | 112 |
KATY DEEPWELL131 | 131 |
ΙΟ TERRY ATKINSON149 | 149 |
Common terms and phrases
Abstract Expressionism aesthetic allegory argued argument art practice artists attempt avant-garde Baudrillard Benjamin biological body Bourgeois's Buchloh century claim Clark Coatlicue concept Conceptual Art contemporary Courbet critical critique culture defined depict Diego Rivera end of history essay experience eyes feminist Figure Freud's Gallery genre Gerhard Richter Guadelupe history painting Ibid Ida Applebroog idea ideological installation Jeff Wall Kabakov landscape London Louise Bourgeois Lukacs Manet Marlene Dumas meaning metaphor Mexican Mexico modernism modernist modernist art modernist painting moral narrative natural kind notion object painters painting's particular Passaic past photograph pictorial picture political Pollock postmodern present produce question reading realism reality recapitulation recognise relation relationship repetition represent representation Richter's Rivera Robert Smithson role Sam Taylor-Wood sculpture sense significance social Socialist Realism Soviet space specific spectator Spiral Jetty suggest surface technologies theory tion tradition University Press viewer vision visual Whilst women York