Musical Concerns: Essays in Philosophy of MusicThis volume presents a new collection of essays, all of them dealing with music, by Jerrold Levinson, one of the most prominent philosophers of art today. It follows in the line of Levinson's earlier collections, Music, Art, and Metaphysics (1990), The Pleasures of Aesthetics (1996), and Contemplating Art (2006), and is representative of the most stimulating work being done under the rubric of analytic aesthetics. The essays, which are wide-ranging, should appeal to aestheticians, philosophers, musicologists, music theorists, music critics and music lovers of all kinds. Three of the twelve essays comprising the volume have not previously been published, and in somewhat of a departure for Levinson, four of the essays focus on music in the jazz tradition. |
From inside the book
Results 1-5 of 15
Page
... Shame in General and Shame in Music . Jazz Vocal Interpretation: A Philosophical Analysis . Popular Song as Moral Microcosm: Life Lessons from Jazz Standards The Expressive Specificity of Jazz Instrumentation and Improvisation What Is a ...
... Shame in General and Shame in Music . Jazz Vocal Interpretation: A Philosophical Analysis . Popular Song as Moral Microcosm: Life Lessons from Jazz Standards The Expressive Specificity of Jazz Instrumentation and Improvisation What Is a ...
Page
... Shame in General and Shame in Music,” “The Expressive Specificity of Jazz,” and “Instrumentation and Improvisation” are previously unpublished. Introduction Musical Concerns is my fourth collection of essays in Acknowledgments.
... Shame in General and Shame in Music,” “The Expressive Specificity of Jazz,” and “Instrumentation and Improvisation” are previously unpublished. Introduction Musical Concerns is my fourth collection of essays in Acknowledgments.
Page
... Shame in General and Shame in Music” was composed for an annual lecture series in Rome called Sensibilia, whose dedicated theme in 2011 was shame, or vergogna. The essay falls into two largely independent parts. In the first part of the ...
... Shame in General and Shame in Music” was composed for an annual lecture series in Rome called Sensibilia, whose dedicated theme in 2011 was shame, or vergogna. The essay falls into two largely independent parts. In the first part of the ...
Page
Essays in Philosophy of Music Jerrold Levinson. shame, and return a guardedly positive answer. The discussion in this section is continuous with that in earlier essays of mine on emotion in music, notably “Music and Negative Emotion ...
Essays in Philosophy of Music Jerrold Levinson. shame, and return a guardedly positive answer. The discussion in this section is continuous with that in earlier essays of mine on emotion in music, notably “Music and Negative Emotion ...
Page
... shame on my part. Be that as it may, in the essay in question I try to identify what is specific to jazz—or at least, to mainstream or unequivocal instances of jazz—from the point of view of expression. I address the vexing question of ...
... shame on my part. Be that as it may, in the essay in question I try to identify what is specific to jazz—or at least, to mainstream or unequivocal instances of jazz—from the point of view of expression. I address the vexing question of ...
Contents
The Aesthetic Appreciation of Music | |
Concatenationism Architectonicism and the Appreciation of Music | |
Indication Abstraction and Individuation | |
Musical Beauty | |
Values of Music | |
Shame in General and Shame in Music | |
Jazz Vocal Interpretation | |
Popular Song as Moral Microcosm | |
The Expressive Specificity of Jazz | |
Instrumentation and Improvisation | |
What Is a Temporal Art? | |
Index | |
Other editions - View all
Common terms and phrases
action aesthetic appreciation aesthetic experience aesthetic value Alperson appreciation of music architectonic art form artistic indication artistic value artworks ashamed aspect basic musical understanding beautiful music Beethoven’s character characterized claim clearly composers composition concatenationism convey course dance distinctive effect emotional engagement essay ethical quality example feel film Gabriel Fauré Handmaid’s Tale hear improvisation indicated structures instance instrument involved Ithaca jazz standard jazz vocal interpretation John Coltrane Journal of Aesthetics Kivy Kivy’s label least Levinson listener melody mind moral force motion movement musical beauty Musical Expressiveness musical improvisation narrowly beautiful music Ninth Symphony novel object one’s Oxford perception performer’s performing personality perhaps Peter Kivy philosophy piano piece of music quasi-hearing question reflection regard Roger Scruton Scruton sense shame simply singer singing sonata sonata form song song’s Sophisticated Lady sort specific String Quartet suggest Symphony temporal art thing timbre tonal value of music