Second Takes: Critical Approaches to the Film Sequel

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Carolyn Jess-Cooke, Constantine Verevis
State University of New York Press, Feb 1, 2012 - Performing Arts - 263 pages
Sequels, serials, and remakes have been a staple of cinema since the very beginning, and recent years have seen the emergence of dynamic and progressive variations of these multi-film franchises. Taking a broad range of sequels as case studies, from the Godfather movies to the Pirates of the Caribbean franchise, Second Takes confronts the complications posed by film sequels and their aftermaths, proposing new critical approaches to what has become a dominant industrial mode of Hollywood cinema. The contributors explore the sequel's investments in repetition, difference, continuation, and retroactivity, and particularly those attitudes and approaches toward the sequel that hold it up as a kind of figurehead of Hollywood's commercial imperatives. An invaluable resource to the film student, critic, and fan, Second Takes offers new ways of looking at the film sequel's industrial, aesthetic, cultural, political, and theoretical contexts.
 

Contents

Introduction
1
The Case of the Living Dead
11
The Four Daughters Moviesor the Series That Wasnt
31
After Austens Happily Ever After
45
Godfather I II and III
65
The American Smart Film
87
Oceans Eleven and Oceans Twelve
105
Serenity Mourning and Sequels to Dead Television Shows
121
Technology and Discourse in The Ring Intertex
153
Postmillennial Anxiety and Cultural Need
171
Sequels in the Digital Era
191
The Case of Pirates of the Caribbean OrHow a ThemePark Attraction Spawned a MultibillionDollar Film Franchise
205
Works Cited
225
Contributors
243
Index
245
Copyright

The Afterwardsness of the Sequel
139

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About the author (2012)

Carolyn Jess-Cooke is Senior Lecturer in Creative Writing at Northumbria University in the United Kingdom. She is the author of Shakespeare on Film: Such Things as Dreams Are Made Of and Film Sequels: Theory and Practice from Hollywood to Bollywood, and the coeditor (with Melissa Croteau) of Apocalyptic Shakespeare: Essays on Visions of Destruction and Revelation in Recent Film Adaptations. Constantine Verevis is Senior Lecturer in Film and Television Studies at Monash University, Melbourne, and the author of Film Remakes.

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