THOUGHTS DURING SICKNESS. All knowledge flows-a sea for evermore Through the resounding mountains waft thy praise, The deep religion, which hath dwelt from yore, And wildest river shore! And let me summon all the voices dwelling Forgive, O Father! if presumptuous thought Let not thy child all vainly have been taught And on its penitential altar spread The offerings worthless, till Thy grace impart The fire from Heaven, whose touch alone can shed Thine are all holy things-O make me Thine, Bearing thy gifts of wisdom on its flight, THOUGHTS DURING SICKNESS. I.-INTELLECTUAL POWERS. O THOUGH! O Memory! gems for ever heaping Thy lamp's lone star 'mid shadowy hosts enshrined; At Fever's fiery touch, apart they fall, Your glorious combinations!-broken all, 599 Scatter'd to whirling dust!—Oh, soon uncrown'd! Guiding its chasten'd vision to discern How by meek Faith Heaven's portals must be pass'd II. SICKNESS LIKE NIGHT. THOU art like Night, O Sickness! deeply stilling With low sweet voices by Life's tumult drown'd, III.-ON RETZSCH'S DESIGN OF THE ANGEL OF DEATH.* WELL might thine awful image thus arise With that high calm upon thy regal brow, And the deep, solemn sweetness in those eyes, Unto the glorious Artist!-Who but thou The fleeting forms of beauty can endow For Him with permanency?-who make those gleams So fast around my soul, it cannot spring to thee! *This sonnet was suggested by the following passage out of Mrs Jameson's Visits and Sketches at Home and Abroad, in a description she gives of a visit paid to the artist Retzsch, near Dresden :-"After wards he placed upon his easel a wonderous face, which made me shrink back-not with terror, for it was perfectly beautiful,-but with awe, for it was unspeakably fearful: the hair streamed back from the pale brow-the orbs of sight appeared at first two dark, hollow, unfathomable spaces, like those in a skull; but when I drew nearer and looked attentively, two lovely living eyes looked at me again out of the depth of the shadow, as if from the bottom of an abyss. The mouth was divinely sweet, but sad, and the softest repose rested on every feature. This, he told me, was the ANGEL OF DEATH." THOUGHTS DURING SICKNESS. IV. REMEMBRANCE OF NATURE. O, NATURE! thou didst rear me for thine own, V.--FLIGHT OF THE SPIRIT. WHITHER, Oh! whither wilt thou wing thy way? Knowing but this-that thou shalt find thy Guide! 531 VI.-FLOWERS. WELCOME, O pure and lovely forms, again Of summer-thoughts attendant on your bloom- VII.-RECOVERY * BACK then, once more to breast the waves of life, SABBATH SONNET. COMPOSED BY MRS. HEMANS A FEW DAYS BEFORE HER DEATH, AND DEDICATED TO HER BROTHER. How many blessed groups this hour are bending, Through England's primrose meadow-paths, their way Pour their fair children forth; and hamlets low, CRITICAL ANNOTATIONS. "WE cannot allow these verses to adorn, with a sad beauty, the pages of this Magazine-more especially as they are the last composed by their distinguished writer, and that only a few days before her death-without at least a passing tribute of regret over an event which has cast a shadow of gloom through the sunshiny fields of contemporary literature. But two months ago, the beautiful lyric entitled Despondency and Aspiration,' appeared in these pages, and now the sweet fountain of music from which that prophetic strain gushed has ceased to flow. The highly gifted and accomplished, the patient, the meek, and long-suffering FELICIA HEMANS, is no more * Written under the false impression occasioned by a temporary improvement in strength. MISCELLANEOUS POEMS. 533 She died on the night of Saturday, the 16th of May 1835, at Dublin, and met her fate with all the calm resignation of a Christian, conscious that her spirit was winging its flight to another and a better world, where the wicked cease from troubling, and the weary are at rest.' "Without disparagement of the living, we scarcely hesitate to say, that in Mrs. Hemans our female literature has lost perhaps its brightest ornament. To Joanna Baillie she might be inferior, not only in vigor of conception, but in the power of metaphysically analysing those sentiments and feelings which constitute the basis of human actions to Mrs. Jameson in the critical perception which, from detached fragments of spoken thought, can discriminate the links which bind all into a distinctive character;-to Miss Landon in eloquent fa cility;-to Caroline Bowles in simple pathos ;-and to Mary Mitford in power of thought;-but as a female writer, influencing the female mind, she has undoubtedly stood, for some bypast years, the very first in the first rank; and this pre-eminence has been acknowledged, not only in her own land, but wherever the English tongue is spoken, whether on the banks of the eastern Ganges or the western Mississippi. Her path was her own; and shoals of imitators have arisen, alike at home and on the other side of the Atlantic, who, destitute of her animating genius, have mimicked her themes, and parodied her sentimens and language, without being able to reach its height. In her poetry, religious truth and intellectual beauty meet together; and assuredly it is not the less calculated to refine the taste and exalt the imagination, because it addresses itself almost exclusively to the better feelings of our nature alone. Over all her pictures of humanity are spread the glory and the grace reflected from purity of morals, delicacy of perception and conception, sublimity of religious faith, and warmth of patriotism; and, turning from the dark and degraded, whether in subject or sentiment, she seeks out those verdant oases in the desert of human life on which the affections may most pleasantly rest. Her poetry is intensely and entirely femi nine-and, in our estimation, this is the highest praise which could be awarded it:-it could have been written by a woman only; for, although in the 'Records,' of her sex, we have the female character delineated in all the varied phases of baffied passion and of ill-requited affection; of heroical self-denial, and of withering hope deferred; of devotedness tried in the furnace of affliction, and of "Gentle feelings long subdued, Subdued and cherish'd long;' yet its energy resembles that of the dove, pecking the hand that hovers o'er its mate, and its exaltation of thought is not of the daring kind, which doubts and derides, or even questions, but which clings to the anchor of hope, and looks forward with faith and reverential fear. "Mrs. Hemans has written much, and as with all authors in like predicament, her strains are of various degrees of excellence. Independently of this, her different works will be differently estimated, as to their relative value, by different minds; but among the lyrics of the English language which can scarcely die, we hesitate not to assign places to The Hebrew Mother'-' The Treasures of the Deep' "The Spirit's Return'-'The Homes of England'-"The Better Land' -The Hour of Death'-'The Trumpet' and 'The Graves of a Household.' In these 'gems of purest ray serene,' the peculiar genius of Mrs. Hemans breathes, and burns, and shines pre-eminent; for her forte lay in depicting whatever tends to beautify and embel'Ish domestic life-the gentle overflowings of love and friendshiphomebred delights and heartfelt happiness'-the associations of ocal attachment-and the influences of religious feelings over the |