The Score, Issues 1-7 |
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aesthetic arpeggio artist atonal Bach bars bass beat beauty Beethoven Billy Budd cadence century chords chromatic clarity classical composer composer's composition concert contemporary contrapuntal counterpoint Couperin critics dance Dardanus diatonic dissonances dominant dramatic effect elements emotional English ensemble example expression fact feeling French German harpsichord Haydn instrument interpretation intervals Italian librettists listener Longo lyrical madrigals major means melody minor modern movement Mozart musicians nature never octave opera orchestra passages pedal points performance phrase piano piece Pierrot Lunaire play player poem poetry polyphonic principle problem produced Rake's Progress Rameau recitative rhythm rhythmic scale Scarlatti's Schonberg score seems sense seventh singer singing solo sonata songs sound Stravinsky string quartet structure style subdominant symphony tempo theatre theme thing tonal tone tone-row tonic tradition triads twelve notes twelve-tone method twelve-tone technique Venice violin Virgil Thomson vocal voice William Glock words writing

