These yelling monsters, that with ceaseless cry To me: for, when they list, into the womb Grim Death, my son and foe, who sets them on; She finish'd, and the subtle fiend his lore I come no enemy, but to set free The unfounded deep, and through the void immense In the purlieus of heaven, and therein placed To know; and, this once known, shall soon return, y Dear daughter. sight more detestable;" Satan had now learned his lore or lesson; and the reader will observe how artfully he changes his language: he had said before that he had never seen but now it is dear daughter, and fair son.-NEWTON. And bring ye to the place where thou and Death With odours; there ye shall be fed and fill'd He ceased, for both seem'd highly pleased, and Death His famine should be fill'd, and bless'd his maw Destined to that good hour: no less rejoiced His mother bad, and thus bespake her sire :— And by command of heaven's all-powerful King, These adamantine gates; against all force Who hates me, and hath hither thrust me down To sit in hateful office, here confined, With terrours and with clamours compass'd round But thee? whom follow? thou wilt bring me soon Thus saying, from her side the fatal key2, And, towards the gate rolling her bestial train, 840 845 850 855 860 865 870 875 Could once have moved: then in the keyhole turns Of massy iron or solid rock with ease Unfastens on a sudden open fly * Thus saying, from her side the fatal key. It is one great part of the poet's art to know when to describe things in general, and when to be very circumstantial and particular. Milton has in these lines showed his judgment in this respect the first opening of the gates of hell by Sin is an incident of that importance, that, if I can guess by my own, every reader's attention must be greatly excited, and Consequently as highly gratified, by the minute detail of particulars our author has given us. It may with justice be farther observed, that in no part of the poem the versification is better accommodated to the sense. The drawing up of the portcullis, the turning of the key, the sudden shooting of the bolts, and the flying open of the doors, are in some sort described by the very break and sound of the verses.-THYER. With impetuous recoil and jarring sound Cast forth redounding smoke and ruddy flame. Without dimension, where length, breadth, and highth, Eternal anarchy, amidst the noise Of endless wars, and by confusion stand : For hot, cold, moist, and dry, four champions fierce, Their embryon atoms; they around the flag Light-arm'd or heavy, sharp, smooth, swift, or slow, Levied to side with warring winds, and poise Their lighter wings. To whom these most adhere, Excell'd her power. ■ She open'd, but to shut The grandeur here both of the thought and the picture is incomparable. b The secrets of the hoary deep. 650 883 850 895 900 905 This prospect, as the gates flew open, astonishes the imagination, and awakens all its curiosity. And Chaos. e Where eldest Night All the ancient naturalists, philosophers, and poets, hold that Chaos was the first principle of all things; and the poets particularly make Night a goddess, and represent Night or darkness, and Chaos or confusion, as exercising uncontrolled dominion from the beginning. Thus Orpheus, in the beginning of his Hymn to Night, addresses her as the mother of the gods and men, and origin of all things. See also Spenser in imitation of the ancients, F. Q. I. v. 22. And Milton's system of the universe is, in short, that the empyrean heaven, and chaos, and darkness, were before the creation, heaven above and chaos beneath; and then, upon the rebellion of the angels; first, hell was formed out of chaos, stretching far and wide beneath; and afterwards heaven and earth, another world hanging over the realm of Chaos, and won from his dominion.-NEWTON. Ovid. Met. i. 19: d For hot, cold, &c. Frigida pugnabant calidis, humentia siccis, Mollia cum duris, sine pondere habentia pondus. The reader may compare this whole description of Chaos with Ovid's, and he will easily see how the Roman poet has lessened the grandeur of his by puerile conceits and quaint antitheses everything in Milton is great and masterly.-NEWTON. He rules a moment: Chaos umpire sits, By which he reigns: next him, high arbiter, Great things with small) than when Bellona storms, The stedfast earth. At last his sail-broad vans Fluttering his pennons vain, plumb down he drops e To whom these most adhere, He rules a moment. To whatever side the atoms temporarily adhere, that side rules for the moment. Satan Stood on the brink of hell. pauses for a moment, terrified at the danger of his enterprise. • Half on foot, Half flying. Spenser, Faer. Qu. 1. xi. 8: Half flying, and half footing in his haste.-NEWTON. b Behoves him now both oar and sail. 910 915 920 925 930 935 940 It behoveth him now to use both his oars and his sails, as galleys do, according to the proverb,-remis velisque, with might and main.-HUME. Pursues the Arimaspian, who by stealth, O'er bog or steep, through strait, rough, dense, or rare', Of stunning sounds and voices all confused, Might in that noise reside, of whom to ask Which way the nearest coast of darkness lies, Bordering on light; when straight behold the throne Wide on the wasteful deep: with him enthroned Sat sable-vested Night, eldest of things, Of Demogorgon"; Rumour next, and Chance, 913 930 93 960 And Tumult and Confusion all imbroil'd ; And Discord with a thousand various mouths. To whom Satan turning boldly, thus :-Ye powers, And spirits of this nethermost abyss, Chaos and ancient Night, I come no spy, 970 With purpose to explore or to disturb The secrets of your realm; but by constraint Wandering this darksome desert,—as my way Lies through your spacious empire up to light,— Alone, and without guide, half lost, I seek What readiest path leads where your gloomy bounds i O'er bog, or steep, through strait, rough, dense, or rare. 975 The difficulty of Satan's voyage is very well expressed by so many monosyllables as follow, which cannot be pronounced but slowly, and with frequent pauses.-NEWTON. The nethermost abyss. Though the throne of Chaos was above hell, and consequently a part of the abyss was so, yet a part of that abyss was at the same time below hell; so far below, as that, when Satan went from hell on his voyage, he fell in that abyss ten thousand fathom deep; and the poet there adds, that if it had not been for an accident, he had been falling down there to this hour: nay, it was so deep, as to be illimitable, and where highth is lost. The abyss then, considered altogether, was nethermost in respect of hell, below which it was so endlessly extended.-PEARCE. kAnd his dark pavilion spread. Psalm xviii. 11:—“ He made darkness his secret place, his pavilion round about him.” -DUNSTER. Orcus and Ades. Orcus for Pluto, and Ades for any dark place.-RICHARDSON. m Of Demogorgon. The very name of Demogorgon the ancients supposed capable of producing the most terrible effects, which they therefore dreaded to pronounce. He is mentioned as of great power in incantations.-NEWTON. |