Music and Sexuality in Britten: Selected Essays
University of California Press, 2006 - Biography & Autobiography - 295 pages
Philip Brett's groundbreaking writing on Benjamin Britten altered the course of music scholarship in the later twentieth century. This volume is the first to gather in one collection Brett's searching and provocative work on the great British composer. Some of the early essays opened the door to gay studies in music, while the discussions that Brett initiated reinvigorated the study of Britten's work and inspired a generation of scholars to imagine "the new musicology." Addressing urgent questions of how an artist's sexual, cultural, and personal identity feeds into specific musical texts, Brett examines most of Britten's operas as well as his role in the British cultural establishment of the mid-twentieth century. With some of the essays appearing here for the first time, this volume develops a complex understanding of Britten's musical achievement and highlights the many ways that Brett expanded the borders of his field.
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2 Grimes Is at His Exercise Sex Politics and Violence in the Librettos of Peter Grimes
3 Grimes and Lucretia
4 Salvation at Sea Brittens Billy Budd
5 Character and Caricature in Albert Herring
6 Brittens Bad Boys Male Relations in The Turn of the Screw
7 Brittens Dream
8 Eros and Orientalism in Brittens Operas
9 Keeping the Straight Line Intact? Brittens Relation to Folksong Purcell and His English Predecessors
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Albert Aldeburgh ambiguous aria artists B-ﬂat Benjamin Britten Billy Budd Borough Brit British Britten and Grimes Britten and Pears Britten’s music Britten’s operas Carpenter character chords composer composer’s context Crabbe Crabbe’s critics Crozier Death in Venice dramatic E. M. Forster effect Ellen English essay example feeling ﬁeld ﬁg ﬁgure ﬁnal ﬁnally ﬁnd ﬁrst ﬁt folksong gamelan Governess Governess’s Grimes’s hero homosexual Humphrey Carpenter identiﬁed inﬂuence innocence Isherwood issues James’s later letter librettist libretto Lucretia male McPhee melody Midsummer Night’s Dream Miles Mitchell and Reed musicology notes Oberon oppression orientalism Owen Wingrave paciﬁsm Pears’s performance perhaps Peter Grimes Peter Pears Philip Brett play political queer question Quint reﬂects relation represented scene score Screw seems sexual signiﬁcant singing social society society’s song speciﬁc stage story suggests theme tion tonal Turn Vaughan Williams Vere W. H. Auden War Requiem words write wrote