Word of Mouth: Food and Fiction After FreudAn examination of the importance of oral experience as reflected in literature and using psychoanalytic theory as forwarded by Freud, Karl Abraham, Melanie Klein, and Julia Kristeva. The meaning of oral experience is explored with reference to several texts, looking at the oral bond between mother and child in Proust and questions of disordered eating raised by aggressive orality found in Conrad's Heart of Darkness . Throughout a case is made for the pervasive pleasures, dreads, desires and dramas of the mouth. |
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Contents
Introduction | 1 |
Chapter | 11 |
Chapter | 41 |
Chapter Three | 67 |
Chapter Four | 101 |
Afterword | 137 |
Notes | 145 |
153 | |
163 | |
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ambivalence anorexia anorexic asserts baby Bartleby Bartleby's Benito Benito Cereno Bertha bliss blood body bond breast Caliban cannibalism cannibalistic caramel corn Cereno child Clarissa consciousness cook cultural identity death denial desire devouring dinner disordered displaced eaten eating Edible Edible Woman especially experience father fear female fiction figure final flesh Freud Gatsby Gatsby's guilt hand human hunger identifying infant infantile Jean Rhys Joe Christmas Karl Abraham killing Klein Kristeva language Light in August literary look madeleine mania manic Marcel Marian maternal meal Melanie Klein Melville's memory milk mother mouth Nanabush narrative narrator narrator's never Nick novel nurturing object offers oral nature perhaps phallic phantastic play psychic psychoanalytic question refusal remarkable repressed scene seems sexual speak story suggest super-ego taboo taste telling thing tion totem Totem and Taboo unconscious Wide Sargasso Sea woman women words