Illustrating Asia: Comics, Humor Magazines, and Picture Books

Front Cover
John A. Lent
University of Hawaii Press, Nov 30, 2001 - Literary Criticism - 288 pages

Illustrations used for story-telling and mirth-making have enlivened Asian walls, scrolls, books, public and private places, and artifacts for millennia. Often playful and humorous, Asian pictorial stories lent conspicuous elements to contemporary comic art, particularly with their use of narrative nuance, humor, satire, and dialogue.

Illustrating Asia is a fascinating book on a subject that is of wide and topical interest. All of the articles consider cartoon and/or comic art in the historical and social setting of seven South, Southeast, and East Asian countries: India, Taiwan, Malaysia, Indonesia, Sri Lanka, China, and Japan. The contributors treat comic and narrative art—including comic books, comic strips, picture books, and humor and fan magazines—in both historical and socio-cultural perspectives, as well as portrayals of ancient Chinese philosophy, gender, and the enemy in cartoons and comics.

Contributors: Laine Berman, John A. Lent, Fusami Ogi, Rei Okamoto, Ronald Provencher, Aruna Rao, Kuiyi Shen, Shimizu Isao, Shu-chu Wei, Yingjin Zhang.

 

Contents

Comics as Social Commentary in Java Indonesia 1133
13
the story of Indian comics
37
the picture book and cartoons
64
Cartooning in Sri Lanka
81
Lianhuanhua and Manhua Picture Books and Comics in
100
a study of pictorials
121
the origins of modern Japanese Manga
137
Gender Insubordination in Japanese Comics Manga for Girls
171
images of females and males in Malay
187
Images of the Enemy in the Wartime Manga Magazine 19411945
204
References
221
Contributors
234
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Page 223 - The range of topics had been naturally extended to include international affairs. The success of the magazine enabled Kitazawa to devote his life to creating cartoons, thus making him the first professional cartoonist. All artists before him had drawn cartoons only as side jobs. Kitazawa constantly studied western cartoons within the context of journalism, and eventually proposed a new style of ponchi (the quality of which had begun to decline) that could compete with western counterparts.
Page 221 - The influence of The Japan Punch on its style and content was apparent, not to mention the use of the word ponchi in its title, as a pun on 'the land of Japan

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