LYSANDER, betrothed to Hermia. DEMETRIUS, once suitor to Helena, now in love with Hermia. PHILOSTRATE, Master of the Revels to Theseus. QUINCE, a Carpenter, Prologue, HIPPOLYTA, Queen of the Amazons, betrothed to Theseus. HERMIA, betrothed to Lysander. HELENA, in love with Demetrius. SCENE: Athens, and a Wood not far from it. A Midsummer-Night's ACT ONE. Dream SCENE I. Athens. A Room in the Palace of THESEUS. Enter THESEUS, HIPPOLYTA, PHILOSTRATE, and Attendants. THE HESEUS. Now, fair Hippolyta, our nuptial hour Another moon; but, oh, methinks, how slow Long withering out a young man's revenue. Hippolyta. Four days will quickly steep themselves in nights; Four nights will quickly dream away the time; And then the moon, like to a silver bow New bent in heaven, shall behold the night Stir up the Athenian youth to merriments; 2 four... days. The action of the play involves but three. (R) 10 Newbent. Folios and quartos have Now bent. It is plain that Hippolyta speaks of the moon as it will be, not as it is. Rowe made the correction. [Evidently, however, the play was not written VOL. III. 11 10 by the almanac, for there was to be bright moonlight for the play that evening, III. i. 56, and for the rehearsal the night before, I. ii. 101.] 11 Philostrate. The name occurs in Chaucer and in Plutarch in connection with Theseus. (R) Turn melancholy forth to funerals; [Exit PHIL. The pale companion is not for our pomp.— Hippolyta, I woo'd thee with my sword, With pomp, with triumph, and with revelling. Enter EGEUS, HERMIA, LYSANDER, and DEMETRIUS. Ege. Full of vexation come I; with complaint 19 triumph," applied to all high, great, and stately doings." Falstaff tells Bardolph, 1 Henry IV., III. iii. 46, that his face is "a perpetual triumph." 20 Duke. . . . Dante calls Theseus " Duca d'Atene," Inf. XII. 17; and Chaucer has " a duk highte Theseus," in his Knightes Tale. Cf. 1 Chronicles, i. 51-4. (w) 24 Stand forth, Demetrius. Folio[s] and quartos exhibit this and the corresponding address to Lysander as stage-directions, — accidentally, as the context and the fact that each completes an otherwise imperfect line plainly show. (w) Turn'd her obedience, which is due to me, To stubborn harshness. - And, my gracious Duke, I beg the ancient privilege of Athens, The. What say you, Hermia? be advis'd, fair maid. To you your father should be as a god; One that compos'd your beauties; yea, and one The. In himself he is; But, in this kind — wanting your father's voice The other must be held the worthier. Her. I would, my father look'd but with my eyes! The. Rather, your eyes must with his judgment look. Her. I do entreat your Grace to pardon me. I know not by what power I am made bold, In such a presence here, to plead my thoughts; The. Either to die the death, or to abjure Therefore, fair Hermia, question your desires; 54 this kind, i. e. a matter of marriage. (R) |