Hysteria, Trauma and Melancholia: Performative Maladies in Contemporary Anglophone DramaHysteria, trauma and melancholia have not only become powerful tropes in modern-day culture at large; they are also prominent in the theatre. How do contemporary plays employ these concepts? How does the staging of these 'disorders' affect the aesthetics of the plays? What exchange relations between theory and theatre can be traced? Christina Wald pursues such questions in this new study, establishing the characteristics and concerns of 'The Drama of Hysteria', 'Trauma Drama' and 'The Drama of Melancholia' through in-depth readings of works by playwrights such as Anna Furse, Jerry Johnson, Sarah, Daniels, Phylis Nagy, Claire Dowie, David Auburn, Marina Carr and Sarah Kane. Conceptualising hysteria, trauma and melancholia as 'performative maladies', Wald educes an exciting interaction of theatrical performance, psychiatric and psychoanalytic theory, and the theory of gender performativity. |
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Page 144
... Michael is performed by his past . It reinforces the idea that Michael repeats his childhood experience of abuse in his professional life , in which he is continually ( ab ) used by older male clients . Despite their different uses of ...
... Michael is performed by his past . It reinforces the idea that Michael repeats his childhood experience of abuse in his professional life , in which he is continually ( ab ) used by older male clients . Despite their different uses of ...
Page 146
... Michael's fear that Matt has an equally exploitative sexual interest in him as his father had , when Matt and Ed simultaneously wave and smile at Michael after Gary suggested that Matt shares Ed's abusive interest in Michael ( EA 30 ) ...
... Michael's fear that Matt has an equally exploitative sexual interest in him as his father had , when Matt and Ed simultaneously wave and smile at Michael after Gary suggested that Matt shares Ed's abusive interest in Michael ( EA 30 ) ...
Page 152
... Michael . The play presents this fight on the inner - fictional level through Michael's and Ed's constant arguments and mutual provocations , but it also reflects it on the level of aesthetics . Throughout the play , Michael , as the ...
... Michael . The play presents this fight on the inner - fictional level through Michael's and Ed's constant arguments and mutual provocations , but it also reflects it on the level of aesthetics . Throughout the play , Michael , as the ...
Contents
From termini technici | 10 |
Can performativity materialise as performance? | 17 |
The Drama of Hysteria | 27 |
Copyright | |
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Hysteria, Trauma and Melancholia: Performative Maladies in Contemporary ... C. Wald Limited preview - 2007 |
Common terms and phrases
actors actualisation ambivalent argues attempts audiences Augustine Augustine's body Butler Butterfly Kiss Carr's Catherine Catherine's characterises characters Charcot Cleansed concept contemporary critics cultural discourse disorder Dora Dora's Drama of Hysteria Drama of Melancholia Easy Access emphasises Evelyn fantasy father female female hysteria femininity feminism feminist film flashbacks Freud Furse Furse's Gabriel gender norms gender performativity gender theory ghost figure Grace Graham hallucination Herr heteronormative heterosexual highlights homosexual Hystérie ibid identification incestuous Jessica Lily Lily's male hysteria masculinity melan melancholia melancholic incorporation metaphor metonymic Michael Molly Molly's Morrissey's mother narrative notion Oedipus complex original production past patients performative malady play's Portia Coughlan present Proof protagonist psychic psychoanalytic realism reality reinforced relationship repetition compulsion repressed Robert's Royal Court Theatre Salpêtrière scene sexual child abuse Sleeping Nightie stage suggests Theatre Record theatrical performance theory Tinker tion Trauma Drama traumatisation unconscious victim woman