Hysteria, Trauma and Melancholia: Performative Maladies in Contemporary Anglophone DramaHysteria, trauma and melancholia have not only become powerful tropes in modern-day culture at large; they are also prominent in the theatre. How do contemporary plays employ these concepts? How does the staging of these 'disorders' affect the aesthetics of the plays? What exchange relations between theory and theatre can be traced? Christina Wald pursues such questions in this new study, establishing the characteristics and concerns of 'The Drama of Hysteria', 'Trauma Drama' and 'The Drama of Melancholia' through in-depth readings of works by playwrights such as Anna Furse, Jerry Johnson, Sarah, Daniels, Phylis Nagy, Claire Dowie, David Auburn, Marina Carr and Sarah Kane. Conceptualising hysteria, trauma and melancholia as 'performative maladies', Wald educes an exciting interaction of theatrical performance, psychiatric and psychoanalytic theory, and the theory of gender performativity. |
From inside the book
Results 1-3 of 29
Page 17
... reflect on and possibly provoke an alteration of the workings of ( gender ) performativity because of its double consciousness . Given that every theatrical performance depends on the double consciousness of its audience , which always ...
... reflect on and possibly provoke an alteration of the workings of ( gender ) performativity because of its double consciousness . Given that every theatrical performance depends on the double consciousness of its audience , which always ...
Page 105
... reflects the paradox of trauma , in which the greatest exposure to an event is also a numbing to it ( Caruth 1995a : 8 ) , because the event is so overpowering that it escapes the subject's mental registration and thus his or her ...
... reflects the paradox of trauma , in which the greatest exposure to an event is also a numbing to it ( Caruth 1995a : 8 ) , because the event is so overpowering that it escapes the subject's mental registration and thus his or her ...
Page 131
... reflected the shape - shifting quality of the prison cell . White , gleaming tiled walls and floor , neon bars , and ... reflect the play's confusion of time levels . When Lily first meets Martha , clocks display different times , Lily ...
... reflected the shape - shifting quality of the prison cell . White , gleaming tiled walls and floor , neon bars , and ... reflect the play's confusion of time levels . When Lily first meets Martha , clocks display different times , Lily ...
Contents
From termini technici | 10 |
Can performativity materialise as performance? | 17 |
The Drama of Hysteria | 27 |
Copyright | |
10 other sections not shown
Other editions - View all
Hysteria, Trauma and Melancholia: Performative Maladies in Contemporary ... C. Wald Limited preview - 2007 |
Common terms and phrases
actors actualisation ambivalent argues attempts audiences Augustine Augustine's body Butler Butterfly Kiss Carr's Catherine Catherine's characterises characters Charcot Cleansed concept contemporary critics cultural discourse disorder Dora Dora's Drama of Hysteria Drama of Melancholia Easy Access emphasises Evelyn fantasy father female female hysteria femininity feminism feminist film flashbacks Freud Furse Furse's Gabriel gender norms gender performativity gender theory ghost figure Grace Graham hallucination Herr heteronormative heterosexual highlights homosexual Hystérie ibid identification incestuous Jessica Lily Lily's male hysteria masculinity melan melancholia melancholic incorporation metaphor metonymic Michael Molly Molly's Morrissey's mother narrative notion Oedipus complex original production past patients performative malady play's Portia Coughlan present Proof protagonist psychic psychoanalytic realism reality reinforced relationship repetition compulsion repressed Robert's Royal Court Theatre Salpêtrière scene sexual child abuse Sleeping Nightie stage suggests Theatre Record theatrical performance theory Tinker tion Trauma Drama traumatisation unconscious victim woman