Empire and After: Englishness in Postcolonial Perspective

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Graham MacPhee, Prem Poddar
Berghahn Books, Oct 1, 2007 - Social Science - 218 pages

The growing debate over British national identity, and the place of "Englishness" within it, raises crucial questions about multiculturalism, postimperial culture and identity, and the past and future histories of globalization. However, discussions of Englishness have too often been limited by insular conceptions of national literature, culture, and history, which serve to erase or marginalize the colonial and postcolonial locations in which British national identity has been articulated. This volume breaks new ground by drawing together a range of disciplinary approaches in order to resituate the relationship between British national identity and Englishness within a global framework. Ranging from the literature and history of empire to analyses of contemporary culture, postcolonial writing, political rhetoric, and postimperial memory after 9/11, this collection demonstrates that far from being parochial or self-involved, the question of Englishness offers an important avenue for thinking about the politics of national identity in our postcolonial and globalized world.

 

Contents

PART 1 Nation Empire
22
Africa Ireland Imperial Panic and the Effects of British Race Discourse
24
South Africas Forgotten Nationalism
56
CHAPTER 3 Passports Empire Subjecthood
72
CHAPTER 4 Friends Across the Water British Orientalists and Middle Eastern Nationalisms
86
The Disappearance of Irishness in Conrads The Secret Agent
100
PART II Postcolonial Legacies
118
The Fundamentalist Trope in Hanif Kureishis The Black Albumand My Son the Fanatic
120
CHAPTER 7 Crisis of Identity? Englishness Britishness and Whiteness
138
A Tropological Evolution of Englishness
158
CHAPTER 9 All the Downtown Tories Mourning Englishness in New York
181
CONTRIBUTORS
200
Index
203
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About the author (2007)

Graham MacPhee has taught at universities in Britain and the US and is currently Assistant Professor of English at West Chester University of Pennsylvania. He is the author of The Architecture of the Visible: Technology and Urban Visual Culture (Continuum, 2002).

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