Cumberland's British Theatre: With Remarks, Biographical and Critical, Volume 20 |
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Page 9
The Servian Women dance , and exit , i , U. E. — The Military Band exeunt , L. S. E. — The Chorus - Singers then advance to the front . Enter Yusepu , L. Be silent , you soldiers , His Highness the Seraskier is coming , -he is just ...
The Servian Women dance , and exit , i , U. E. — The Military Band exeunt , L. S. E. — The Chorus - Singers then advance to the front . Enter Yusepu , L. Be silent , you soldiers , His Highness the Seraskier is coming , -he is just ...
Page 15
[ Exeunt Yuseph and Peter , R. Ghi . Poor Lilla ! I hope Leopold will carry her off . I'm sure they love each other - the whole village will rejoice at their wedding . AIR . — GHITA . All will hail the joyous day , When love his triumph ...
[ Exeunt Yuseph and Peter , R. Ghi . Poor Lilla ! I hope Leopold will carry her off . I'm sure they love each other - the whole village will rejoice at their wedding . AIR . — GHITA . All will hail the joyous day , When love his triumph ...
Page 16
[ Leopold breaks from the Officers , and runs to Yuseph , who retreats , L. - Two Soldiers® catch Leopold up in their arms , and carry him off , R. - Exeunt Yuseph * and Peter , and Soldiers after them , R. seize SCENE IV .
[ Leopold breaks from the Officers , and runs to Yuseph , who retreats , L. - Two Soldiers® catch Leopold up in their arms , and carry him off , R. - Exeunt Yuseph * and Peter , and Soldiers after them , R. seize SCENE IV .
Page 18
( Exeunt , l . SCENE V. — The Seraskier's Tent , open , with curtains at the back — a carpet , and four cushions — a table , L.Lilla discovered seated on a cushion . AIR . - LILLA . Blithe as the hours of May Were those I now deplore ...
( Exeunt , l . SCENE V. — The Seraskier's Tent , open , with curtains at the back — a carpet , and four cushions — a table , L.Lilla discovered seated on a cushion . AIR . - LILLA . Blithe as the hours of May Were those I now deplore ...
Page 27
[ Exeunt two Peasants , L. , Anslem and others , R. SCENE III . - Outside of Peter's Cottage . Enter LILLA and GHITA , L. Lil . Well , Ghita , now we are married at last , I hope our busbands will take their leave of jealousy . Ghi .
[ Exeunt two Peasants , L. , Anslem and others , R. SCENE III . - Outside of Peter's Cottage . Enter LILLA and GHITA , L. Lil . Well , Ghita , now we are married at last , I hope our busbands will take their leave of jealousy . Ghi .
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Common terms and phrases
bear better bless character child comes Crack Crosses dance Darby dear Demetrius devil don't door Enter Exeunt Exit eyes fair fairy father fear feel fellow girl give goes hand happy head hear heart heaven hold honour hope I'll Julia keep kind Lady leave Leopold Lilla live London look lord lovers Luke Lysander M'Que marry Mary master mean mind Miss never night officer Paul Peter play poor pray present pretty Puck SCENE Sir L soldier speak stage suppose sure sweet Tangent tell thee there's thing thou thought thousand true turn Virginia wish young
Popular passages
Page 54 - The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. I will get Peter Quince to write a ballad of this dream : it shall be called Bottom's Dream...
Page 56 - More strange than true : I never may believe These antique fables nor these fairy toys. Lovers and madmen have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends.
Page 27 - I know a bank whereon the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with luscious woodbine. With sweet musk-roses, and with eglantine...
Page 65 - Now the hungry lion roars, And the wolf behowls the moon ; Whilst the heavy ploughman snores, All with weary task fordone. Now the wasted brands do glow, Whilst the screech-owl, screeching loud, Puts the wretch that lies in woe In remembrance of a shroud.
Page 10 - The Lunatic, the lover and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic. Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes and gives...
Page 25 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Page 24 - ... the seasons alter: hoary-headed frosts fall in the fresh lap of the crimson rose; and on old Hiems' thin and icy crown an odorous chaplet of sweet summer buds is, as in mockery, set...
Page 66 - If we shadows have offended. Think but this, and all is mended, That you have but slumber'd here While these visions did appear. And this weak and idle theme, No more yielding but a dream, Gentles, do not reprehend...
Page 56 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven ; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy ; Or, in the night, imagining some fear, How easy is a bush supposed a bear ? Hip.
Page 36 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
Bibliographic information
| Title | Cumberland's British Theatre: With Remarks, Biographical and Critical, Volume 20 Cumberland's British Theatre: With Remarks, Biographical and Critical, John Cumberland |
| Editors | George Daniel, John Cumberland |
| Illustrated by | Robert Cruikshank |
| Publisher | J. Cumberland, 1828 |
| Original from | Harvard University |
| Digitized | 13 Aug 2007 |
| Export Citation | BiBTeX EndNote RefMan |