Shakespeare, Man of the Theater: Proceedings of the Second Congress of the International Shakespeare Association, 1981This volume presents a sampling of the more than 250 papers presented at the Congress of the ISA held at Stratford-upon-Avon in August 1981. Most of the papers are concerned with Shakespeare as a writer for the theater. Other essays deal with Shakespeare as a literary, rather than theatrical, writer. Several of the offerings cover subjects usually neglected, and develop fresh insight into his work. |
From inside the book
Results 1-5 of 88
Page 7
... Drama , by BERNARD BECKERMAN 34 47 The Word in the Theater , by INGA - STINA EWBANK " The Players ... Will Tell All , " or the Actor's Role in Renaissance Drama , by M. T. JONES - DAVIES 55 76 " To the Judgement of Your Eye ...
... Drama , by BERNARD BECKERMAN 34 47 The Word in the Theater , by INGA - STINA EWBANK " The Players ... Will Tell All , " or the Actor's Role in Renaissance Drama , by M. T. JONES - DAVIES 55 76 " To the Judgement of Your Eye ...
Page 15
... dramatic texts , we have a brief opportunity to examine one aspect of his work which must have been materially affected by the content and temper of the liturgy in which we are engaged . Hamlet appears to offer the audience a familiar ...
... dramatic texts , we have a brief opportunity to examine one aspect of his work which must have been materially affected by the content and temper of the liturgy in which we are engaged . Hamlet appears to offer the audience a familiar ...
Page 16
... drama , or rather , that world has been transfigured in the presence of the Incarnation . Later in the play a similar " change of key " takes place : Claudius has become convinced of Hamlet's intuition of his guilt , and alone , in the ...
... drama , or rather , that world has been transfigured in the presence of the Incarnation . Later in the play a similar " change of key " takes place : Claudius has become convinced of Hamlet's intuition of his guilt , and alone , in the ...
Page 17
... given to Shakespeare the sureness of touch which transfigures his drama in all its moods and explorations . Inaugural Lecture Shakespeare and a Playwright of Today by JOHN A Sermon Delivered at Stratford - upon - Avon 17.
... given to Shakespeare the sureness of touch which transfigures his drama in all its moods and explorations . Inaugural Lecture Shakespeare and a Playwright of Today by JOHN A Sermon Delivered at Stratford - upon - Avon 17.
Page 20
... dramatic writing . When I started to write some television plays loosely based on the life of Shakespeare , I was told by the late , greatly lamented Professor Ter- ence Spencer that you could write all that was known of Shakespeare's ...
... dramatic writing . When I started to write some television plays loosely based on the life of Shakespeare , I was told by the late , greatly lamented Professor Ter- ence Spencer that you could write all that was known of Shakespeare's ...
Contents
15 | |
18 | |
34 | |
Historic and Iconic Time in Late Tudor Drama | 47 |
The Word in the Theater | 55 |
The Players Will Tell All or the Actors Role in Renaissance Drama | 76 |
Iconography and the Theatrical Art of Pericles | 86 |
Some Shakespearean Night Sequences | 98 |
Shakespeare and jonson | 155 |
Beaumont and Fletchers Hamlet | 173 |
Society and the Uses of Authority in Shakespeare | 182 |
Seminar Papers | 201 |
The Stagecraft of the Statue Scene in The Winters Tale | 203 |
Shakespearean Comedy and Some EighteenthCentury Actresses | 212 |
Charles Keans King Lear and the Pageant of History | 231 |
APPENDIXES | 243 |
The Positive Uses of Negative Feedback in Criticism and Performance | 105 |
Some Approaches to Alls Well That Ends Well in Performance | 114 |
Between a sob and a Giggle | 121 |
Characterization through Language in the Early Plays of Shakespeare and His Contemporaries | 128 |
Shakespeare and Kyd | 148 |
Complete List of Lectures and Papers from the Program of the Congress | 245 |
Seminars and Their Chairmen | 247 |
Delegates and Participants | 248 |
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Common terms and phrases
action actor actresses All's audience authority Bartholomew Fair breeches roles Cambridge characterization characters Cibber Clive College comic court critical Cymbeline death dramatic dramatist Elizabethan emblem Evadne experience fact female Garrick ghost Hamlet Hannah Pritchard Helena Henry Hermione iconic imagery imagination John Jonson Julius Caesar Kean Kean's King Lear Lady language Lear's Leontes lines literary London Lyly Macbeth Maid's Tragedy Marina masque murder Othello Oxford Paris passion Paulina performance Pericles play's playwright political Pritchard production Proteus reality Renaissance revenge Richard role Roman Royal Shakespeare Royal Shakespeare Company scene seems sense sequence Shake Shakespeare Association Shakespeare Institute Shakespeare Society Shakespeare's plays Shakespearean comedy Shrew social Society of Japan soliloquy Spanish Tragedy speak speare spectator speech Stratford-upon-Avon suggest theater theatrical things thou tion tradition Twelfth Night University of California University Press verbal visual wife Winter's Tale Woffington women words York
Popular passages
Page 15 - gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long...
Page 21 - Yes, trust them not ! for there is an upstart crow, beautified with our feathers, that with his " Tiger's heart wrapped in a player's hide," supposes he is as well able to bombast out a blank verse as the best of you ; and, being an absolute Johannes Factotum, is, in his own conceit, the only Shake-scene in a country.
Page 59 - Helicanus, strike me, honour'd sir ; Give me a gash, put me to present pain ; Lest this great sea of joys rushing upon me, O'erbear the shores of my mortality, And drown me with their sweetness.
Page 64 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come ; the readiness is all ; since no man has aught of what he leaves, what is't to leave betimes?
Page 220 - I will be master of what is mine own : She is my goods, my chattels ; she is my house, My household stuff, my field, my barn, My horse, my ox, my ass, my any thing...
Page 66 - I'll never Be such a gosling to obey instinct, but stand, As if a man were author of himself, And knew no other kin.
Page 221 - Mrs. Clive in the sprightliness of humour, I have never seen equalled. What Clive did best, she did better than Garrick ; but could not do half so many things well: she was a better romp than any I ever saw in nature.
Page 197 - A man may see how this world goes with no eyes. Look with thine ears: see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief ? Thou hast seen a farmer's dog bark at a beggar? Glo. Ay, sir. Lear. And the creature run from the cur? There thou mightst behold the great image of authority; a dog's obey'd in office.
Page 103 - This story shall the good man teach his son ; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered...
Page 126 - Were such things here as we do speak about? Or have we eaten on the insane root That takes the reason prisoner?