Gainsborough's VisionThomas Gainsborough, one of the most popular British painters, has been celebrated as a landscapist, a portrait painter, and a man of feeling whose impetuous character is revealed in his art, life and letters. This book reveals that the style, themes and ideas of Gainsborough’s paintings constitute purposeful expressions of an intellectual and visual culture whose importance in the development of eighteenth-century British art has gone unrecognized. "Amal Asfour and Paul Williamson have set out to make us look more knowledgeably at the paintings of Gainsborough... their treatment is richly informative."—George Steiner, The Observer "Asfour and Williamson display a profound knowledge of 18th-century aesthetics... a highly stimulating book."—The British Art Journal |
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Contents
THE BOOK OF NATURE | 23 |
EMBLEM AND Rococo | 54 |
THE ART OF SEEING | 95 |
S UT MUSICA PICTURA | 128 |
THE LANDSCAPE AS PASTORAL OBJECT | 163 |
SURPRISING LIKENESSES | 198 |
A SKILFUL AND FAITHFUL OBSERVER | 226 |
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Common terms and phrases
according Actaeon appear artistic attitude background beauty British called century church close Collection colour comparable composition concern connection contrast create depiction described direct Discourses distance drawing early effect eighteenth-century emblem emotional English Essay example experience expression figure force Francis French Gallery Girl give hand Hayes Hogarth House human Ibid idea imagination imitation important impression interest interpretation Jackson John kind landscape later Letters light lines lively Locke London look manner means mind moral motion Museum nature notes objects observation Oil on canvas painter painterly painting particular person perspective picture Piles play pleasure portrait principle provides qualities reference regarded religious represent representation Reynolds Rubens scene seems seen sense shows signs suggests theory things Thomas Gainsborough thought tradition tree viewer vision visual Watts Wooded