Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page 12
... Schlegel in his Athenäum Fragmente ( 1798-1800 ) developed the idea of the poet as the mediator of the divine . We cannot see God , but the divine is evident everywhere and particularly ' in der Mitte eines sinnvollen Menschen ' ( in ...
... Schlegel in his Athenäum Fragmente ( 1798-1800 ) developed the idea of the poet as the mediator of the divine . We cannot see God , but the divine is evident everywhere and particularly ' in der Mitte eines sinnvollen Menschen ' ( in ...
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Page 53
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Contents
8 | |
THE EARLY WRITINGS AND THE EOLIAN HARP 22220 | 20 |
MARINER AND DEJECTION | 43 |
THE CRITICAL PROSE 73 2223 | 73 |
THREE LATER POEMS | 103 |
THE LATER PROSE AND NOTEBOOKS | 116 |
INSPIRATION AND REVELATION | 144 |
Notes | 156 |
Bibliography of Secondary Sources | 178 |
Index | 191 |
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Common terms and phrases
aesthetic Aids to Reflection Ancient Mariner artist Austin Farrer Biographia Literaria Boehme Christ Christian Coleridge's Coleridge's later Coleridge's writings Confessio Fidei consciousness context creation creative Dejection described divine doctrine Eolian Eolian Harp Essays eternal experience faith Farrer finite fragment Friedrich Schlegel Friend(CC Glass of Vision Hartley Helen Gardner human Ibid ideas individual infinite infinity inspiration intellectual intuition irony John John Thelwall Kant Kant's Kermode Kubla Khan language Lectures letter Lewesdon Hill Limbo literary criticism literature M. H. Abrams Mary Midgley McFarland metaphysical mind moral mystery narrative nature object Opus Maximum Owen Barfield Oxford perceived philosophical Piranesi poem poet poetic poetry Polar Logic principle prose reader reading religion religious revelation Romantic S. T. Coleridge Samuel Taylor Coleridge Schelling secondary Imagination self-reflection sense Spirit suggests symbol theology theory things thought tradition truth unity universal Wordsworth