Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page vii
... Creative Imagination 13 IV Symbol and Organic Form 16 V Religion and Irony 18 H368 3 THE EARLY WRITINGS AND " THE EOLIAN HARP ' I Early Religious Writings and The Watchman ( 1796 ) II The Early Prefaces to Poems and Early Critics III ...
... Creative Imagination 13 IV Symbol and Organic Form 16 V Religion and Irony 18 H368 3 THE EARLY WRITINGS AND " THE EOLIAN HARP ' I Early Religious Writings and The Watchman ( 1796 ) II The Early Prefaces to Poems and Early Critics III ...
Page 5
... creativity is valuable to and addresses humanity as a whole , just as does the act of divine creation . Creation , therefore , Mary Midgley begins to conclude , is something less pretentious than a single , splendid act , but is going ...
... creativity is valuable to and addresses humanity as a whole , just as does the act of divine creation . Creation , therefore , Mary Midgley begins to conclude , is something less pretentious than a single , splendid act , but is going ...
Page 6
... creative power ... may be discerned . As philosophic issues , the ideas of pure creativity , the unique individual , and absolute freedom are for the artist and for the aesthetic percipient limiting conceptions . By using them in this ...
... creative power ... may be discerned . As philosophic issues , the ideas of pure creativity , the unique individual , and absolute freedom are for the artist and for the aesthetic percipient limiting conceptions . By using them in this ...
Page 8
... creative being . He worries at the meaning of things and endeavours ( a significant word ) to see . Here is no cold observer or analyst . The following pages set Coleridge in the context of European Romanticism . Many of the writers ...
... creative being . He worries at the meaning of things and endeavours ( a significant word ) to see . Here is no cold observer or analyst . The following pages set Coleridge in the context of European Romanticism . Many of the writers ...
Page 9
... creative role of the imagination ; the task of irony ; these are some of the themes of Romanticism to which Coleridge was peculiarly sensitive . As poet , theologian , philosopher and literary critic his contribution was profoundly ...
... creative role of the imagination ; the task of irony ; these are some of the themes of Romanticism to which Coleridge was peculiarly sensitive . As poet , theologian , philosopher and literary critic his contribution was profoundly ...
Contents
8 | |
THE EARLY WRITINGS AND THE EOLIAN HARP 22220 | 20 |
MARINER AND DEJECTION | 43 |
THE CRITICAL PROSE 73 2223 | 73 |
THREE LATER POEMS | 103 |
THE LATER PROSE AND NOTEBOOKS | 116 |
INSPIRATION AND REVELATION | 144 |
Notes | 156 |
Bibliography of Secondary Sources | 178 |
Index | 191 |
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Common terms and phrases
aesthetic Aids to Reflection Ancient Mariner artist Austin Farrer Biographia Literaria Boehme Christ Christian Coleridge's Coleridge's later Coleridge's writings Confessio Fidei consciousness context creation creative Dejection described divine doctrine Eolian Eolian Harp Essays eternal experience faith Farrer finite fragment Friedrich Schlegel Friend(CC Glass of Vision Hartley Helen Gardner human Ibid ideas individual infinite infinity inspiration intellectual intuition irony John John Thelwall Kant Kant's Kermode Kubla Khan language Lectures letter Lewesdon Hill Limbo literary criticism literature M. H. Abrams Mary Midgley McFarland metaphysical mind moral mystery narrative nature object Opus Maximum Owen Barfield Oxford perceived philosophical Piranesi poem poet poetic poetry Polar Logic principle prose reader reading religion religious revelation Romantic S. T. Coleridge Samuel Taylor Coleridge Schelling secondary Imagination self-reflection sense Spirit suggests symbol theology theory things thought tradition truth unity universal Wordsworth