Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page 4
... experience as a poet seems to have suggested an analogy between the poetic mind and the mind which is imaginatively responsive to the fundamental mystery of divine inspira- tion . The common rhetoric for which Coleridge laboured in all ...
... experience as a poet seems to have suggested an analogy between the poetic mind and the mind which is imaginatively responsive to the fundamental mystery of divine inspira- tion . The common rhetoric for which Coleridge laboured in all ...
Page 6
... experience ' . Although this study will follow a rough chronological course through Coleridge's life , its purpose is in no sense biographical . Of necessity , each chapter deals with much the same issues as its predecessors , since ...
... experience ' . Although this study will follow a rough chronological course through Coleridge's life , its purpose is in no sense biographical . Of necessity , each chapter deals with much the same issues as its predecessors , since ...
Page 7
... experience and practice as poet , critic , theologian and philosopher represents matter of universal importance in all these fields , which each generation must rediscover and attend to for itself . 2 The Romantic Context Norman ...
... experience and practice as poet , critic , theologian and philosopher represents matter of universal importance in all these fields , which each generation must rediscover and attend to for itself . 2 The Romantic Context Norman ...
Page 8
... experience.1 - Coleridge is entirely involved in his material . His enquiries and poems matter deeply to him as a sinning , loving and creative being . He worries at the meaning of things and endeavours ( a significant word ) to see ...
... experience.1 - Coleridge is entirely involved in his material . His enquiries and poems matter deeply to him as a sinning , loving and creative being . He worries at the meaning of things and endeavours ( a significant word ) to see ...
Page 21
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Contents
8 | |
THE EARLY WRITINGS AND THE EOLIAN HARP 22220 | 20 |
MARINER AND DEJECTION | 43 |
THE CRITICAL PROSE 73 2223 | 73 |
THREE LATER POEMS | 103 |
THE LATER PROSE AND NOTEBOOKS | 116 |
INSPIRATION AND REVELATION | 144 |
Notes | 156 |
Bibliography of Secondary Sources | 178 |
Index | 191 |
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Common terms and phrases
aesthetic Aids to Reflection Ancient Mariner artist Austin Farrer Biographia Literaria Boehme Christ Christian Coleridge's Coleridge's later Coleridge's writings Confessio Fidei consciousness context creation creative Dejection described divine doctrine Eolian Eolian Harp Essays eternal experience faith Farrer finite fragment Friedrich Schlegel Friend(CC Glass of Vision Hartley Helen Gardner human Ibid ideas individual infinite infinity inspiration intellectual intuition irony John John Thelwall Kant Kant's Kermode Kubla Khan language Lectures letter Lewesdon Hill Limbo literary criticism literature M. H. Abrams Mary Midgley McFarland metaphysical mind moral mystery narrative nature object Opus Maximum Owen Barfield Oxford perceived philosophical Piranesi poem poet poetic poetry Polar Logic principle prose reader reading religion religious revelation Romantic S. T. Coleridge Samuel Taylor Coleridge Schelling secondary Imagination self-reflection sense Spirit suggests symbol theology theory things thought tradition truth unity universal Wordsworth