Immortal Monster: The Mythological Evolution of the Fantastic Beast in Modern Fiction and Film

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Greenwood Publishing Group, 1999 - Fiction - 179 pages

Imaginary beasts have figured prominently in literary works ever since the ancient world, when these myths were first formulated. But the nineteenth century witnessed the rise of science, the discovery of geological findings that challenged the biblical myth of creation, and the birth of Darwin's theory of evolution. Since then, monsters have evolved from supernatural creatures to natural ones endowed with exceptional size, strength, or intelligence. This book explores both literary and cinematic texts that are especially explicit in their Darwinian portrayal of monstrous beasts, though these creatures retain an archaic mythological quality. The myth of Leviathan and Behemoth, for instance, is as central to Jaws as it is to Moby-Dick; indeed, Jaws inherits the myth directly from Moby-Dick, as does King Kong. These and other monster tales, such as The Creature from the Black Lagoon and Grendel, keep the ancient myth alive and relevant by recasting it in the context of biological and cultural evolution.

There is a pattern of alternating bestialization and anthropomorphism in many monster tales, suggesting that these images are being displayed in repeated attempts to define who we are in relation to animals. Thus the more beastly the monster, the more insistently we erect the old paradigm of the Ladder of Being, placing ourselves on a higher and separate rung; but the more human-like the creature, the more readily we shift to the paradigm of the Tree of Life, in which all creatures are more closely related. Since the matter of distinctions between species also involves questions of race, the monster myth is often conscripted to serve racist agendas. But more often than not, the myth has an anti-racist subtext that undercuts the hierarchy. The closing chapters of the volume consider the notion of artificial evolution in works such as The Island of Dr. Moreau, and human-machine interaction in Gravity's Rainbow. As fables of identity, monster tales dramatize our anxieties and fears about our own animal nature and provide a means of coming to terms with our evolution.

 

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Immortal monster: the mythological evolution of the fantastic beast in modern fiction and film

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Selected pages

Contents

Exodus of the GillMan
93
The Jungle or the Stars
101
Monsters of the Mere
107
Cryptozoology in The XFiles
118
The Archipelago of Dr Moreau
127
The Island of Last Souls
132
The Island of Dr Moreau 1977
138
The Island of Dr Moreau 1996
143

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Page 13 - What breaks in me? Some sinew cracks! — 'tis whole again; oars! oars! Burst in upon him!" Hearing the tremendous rush of the sea-crashing boat, the whale wheeled round to present his blank forehead at bay; but in that evolution, catching sight of the nearing black hull of the ship; seemingly seeing in it the source of all his persecutions; bethinking...
Page 164 - From another perspective, a cyborg world might be about lived social and bodily realities in which people are not afraid of their joint kinship with animals and machines, not afraid of permanently partial identities and contradictory standpoints.
Page 12 - But at last in his untraceable evolutions, the White Whale so crossed and recrossed, and in a thousand ways entangled the slack of the three lines now fast to him, that they foreshortened, and, of themselves, warped the devoted boats towards the planted irons in him...
Page 164 - To recapitulate, certain dualisms have been persistent in Western traditions; they have all been systemic to the logics and practices of domination of women, people of color, nature, workers, animals — in short, domination of all constituted as others, whose task is to mirror the self.
Page 1 - With a frigate's anchors for my bridle-bitts and fasces of harpoons for spurs, would I could mount that whale and leap the topmost skies, to see whether the fabled heavens with all their countless tents really lie encamped beyond my mortal sight!
Page v - I said in mine heart concerning the estate of the sons of men, that God might manifest them, and that they might see that they themselves are beasts. For that which befalleth the sons of men...
Page 9 - Queequeg no care what god made him shark," said the savage, agonizingly lifting his hand up and down; "wedder Fejee god or Nantucket god; but de god wat made shark must be one dam Ingin.
Page 45 - York before our feet, nor do we give our lives to smash a few flying machines. It is not for us to bring to a momentary standstill the civilization in which we move. King Kong does this for us.
Page 156 - Manichaeans who see two Rockets, good and evil, who speak together in the sacred idiolalia of the Primal Twins (some say their names are Enzian and Blicero) of a good Rocket to take us to the stars, an evil Rocket for the World's suicide, the two perpetually in struggle.

About the author (1999)

JOSEPH D. ANDRIANO is Associate Professor of English at the University of Southwestern Louisiana. He is the author of Our Ladies of Darkness: Feminine Daemonology in Male Gothic Fiction (1993), and his articles have appeared in several journals, including Poe Studies and ATQ: 19th Century American Literature and Culture. He has also published short stories in Argonaut and The Chattahoochee Review.

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