Shakespearean Criticism YearbookMichele Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 53
... Titania - or perhaps his jealousy of her - the prince materializes into an actual character . Not listed in the dramatis personae , he takes on a life of his own in nineteenth- and early twentieth - century productions , including the ...
... Titania - or perhaps his jealousy of her - the prince materializes into an actual character . Not listed in the dramatis personae , he takes on a life of his own in nineteenth- and early twentieth - century productions , including the ...
Page 55
... Titania's preference for Theseus and Oberon's for the " bouncing Amazon " ( 70 ) . However , Titania's full speeches , although couched in " fairy terms , " offer insights into the imperfect rela- tionship between men and women ...
... Titania's preference for Theseus and Oberon's for the " bouncing Amazon " ( 70 ) . However , Titania's full speeches , although couched in " fairy terms , " offer insights into the imperfect rela- tionship between men and women ...
Page 58
... Titania contin- ues to perceive herself as in control and powerful . During her first meeting with Bottom , the enchanted Titania praises his wisdom as well as beauty and musi- cal skill , declaring that she loves him . When he wants ...
... Titania contin- ues to perceive herself as in control and powerful . During her first meeting with Bottom , the enchanted Titania praises his wisdom as well as beauty and musi- cal skill , declaring that she loves him . When he wants ...
Contents
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Copyright | |
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action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York