Commentary and Control in Shakespeare's Plays |
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Page 223
... Cressida ' , on p . 148. W. W. Lawrence's discussion of the ending of the play , on pp . 144-52 , seems to me excellent . " 20 " Discord in the Spheres " : The Universe of Troilus and Cressida ' , pp . 56-76 of The Frontiers of Drama ...
... Cressida ' , on p . 148. W. W. Lawrence's discussion of the ending of the play , on pp . 144-52 , seems to me excellent . " 20 " Discord in the Spheres " : The Universe of Troilus and Cressida ' , pp . 56-76 of The Frontiers of Drama ...
Page 224
... Cressida ' , p . 284 ; B. Morris , " The Tragic Structure of Troilus and Cressida ' , p . 491 ; and by Wyndham Lewis , The Lion and the Fox , pp . 248-56 . Among those who refuse to endorse what Thersites says are O. J. Campbell , p ...
... Cressida ' , p . 284 ; B. Morris , " The Tragic Structure of Troilus and Cressida ' , p . 491 ; and by Wyndham Lewis , The Lion and the Fox , pp . 248-56 . Among those who refuse to endorse what Thersites says are O. J. Campbell , p ...
Page 243
... Cressida ' , SQ , 10 ( 1959 ) , 481-91 . Moulton , R. G. , Shakespeare as a Dramatic Artist ( Oxford , 1893 ) . Mowat , Barbara Adams , ' Cymbeline : Crude Dramaturgy and Aesthetic Distance ' ( lecture reported in SNL , May 1966 , p ...
... Cressida ' , SQ , 10 ( 1959 ) , 481-91 . Moulton , R. G. , Shakespeare as a Dramatic Artist ( Oxford , 1893 ) . Mowat , Barbara Adams , ' Cymbeline : Crude Dramaturgy and Aesthetic Distance ' ( lecture reported in SNL , May 1966 , p ...
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accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York