Commentary and Control in Shakespeare's Plays |
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Page 200
Peter Bilton. II . CHRONICLES 1 Concerning Shakespeare's originality in dramatizing history , see E. M. W. Tillyard , Shakespeare's History Plays , pp . 98-124 ; and F. P. Wilson , Marlowe and the Early Shakespeare , pp . 105-8 , and ...
Peter Bilton. II . CHRONICLES 1 Concerning Shakespeare's originality in dramatizing history , see E. M. W. Tillyard , Shakespeare's History Plays , pp . 98-124 ; and F. P. Wilson , Marlowe and the Early Shakespeare , pp . 105-8 , and ...
Page 237
... Shakespeare's " Histories " : Mirrors of Elizabethan Policy ( London , 1964 ) . Campbell , O. J. , ' Jaques ' , Huntington Library Bulletin , 8 ( 1935 ) , 71-102 . " The Salvation of Lear ' , ELH , 15 ( 1948 ) , 93-109 . Shakespeare's ...
... Shakespeare's " Histories " : Mirrors of Elizabethan Policy ( London , 1964 ) . Campbell , O. J. , ' Jaques ' , Huntington Library Bulletin , 8 ( 1935 ) , 71-102 . " The Salvation of Lear ' , ELH , 15 ( 1948 ) , 93-109 . Shakespeare's ...
Page 246
... Shakespeare , Marston , and the Malcontent Type ' , MP , 3 ( 1906 ) , 281-303 . -- Shakespeare's Young Lovers ( London , 1937 ) . Shakespeare Studies ( New York , 1927 ; Ungar , New York , 1960 ) . Art and Artifice in Shakespeare ...
... Shakespeare , Marston , and the Malcontent Type ' , MP , 3 ( 1906 ) , 281-303 . -- Shakespeare's Young Lovers ( London , 1937 ) . Shakespeare Studies ( New York , 1927 ; Ungar , New York , 1960 ) . Art and Artifice in Shakespeare ...
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accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York