Commentary and Control in Shakespeare's Plays |
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Page 114
... agree , the remark that Lear has ' ever but slenderly known himself ' ( I.1.297 ) , Lear's error on that occasion seeming to give it warrant ; and one or two other reproofs strike close to home , such as Cornwall's comment on Kent's ...
... agree , the remark that Lear has ' ever but slenderly known himself ' ( I.1.297 ) , Lear's error on that occasion seeming to give it warrant ; and one or two other reproofs strike close to home , such as Cornwall's comment on Kent's ...
Page 123
... agree that the matter may be put the other way round , with perception of a difficult issue making us unsure of our sympathies , Certainly there is no clear division . It comes as no surprise to find Schanzer concerned with Shake ...
... agree that the matter may be put the other way round , with perception of a difficult issue making us unsure of our sympathies , Certainly there is no clear division . It comes as no surprise to find Schanzer concerned with Shake ...
Page 225
... agreement with Thersites , the showman who is ever at hand to point the futility , the progressive cancelling out to ... agree that the play makes clear that Timon's goodness involves folly . He is defended by A. S. Collins in ' Timon of ...
... agreement with Thersites , the showman who is ever at hand to point the futility , the progressive cancelling out to ... agree that the play makes clear that Timon's goodness involves folly . He is defended by A. S. Collins in ' Timon of ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York