Commentary and Control in Shakespeare's Plays |
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Page 53
... attitude both increased the farcical complications and invited such corrective statements and resolutions . The Two Gentlemen of Verona seems to pay extra attention to the audience when it lets situations be laboriously and belatedly ...
... attitude both increased the farcical complications and invited such corrective statements and resolutions . The Two Gentlemen of Verona seems to pay extra attention to the audience when it lets situations be laboriously and belatedly ...
Page 60
... attitudes- earthy , " realistic , " cautious , or conventionally ethical - which the action and the poetry declare to be inadequate ' . " But what is there , in these terms , to distinguish the attitude of a supposed commen- tator like ...
... attitudes- earthy , " realistic , " cautious , or conventionally ethical - which the action and the poetry declare to be inadequate ' . " But what is there , in these terms , to distinguish the attitude of a supposed commen- tator like ...
Page 221
... attitude , which is the total attitude of the play ' . Leavis calls Vincentio Shakespeare's invention and " The more - than - Prospero of the play ' on pp . 243-4 . In ' The Human Comedy : Measure for Measure ' , Robert Ornstein ...
... attitude , which is the total attitude of the play ' . Leavis calls Vincentio Shakespeare's invention and " The more - than - Prospero of the play ' on pp . 243-4 . In ' The Human Comedy : Measure for Measure ' , Robert Ornstein ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York