Commentary and Control in Shakespeare's Plays |
From inside the book
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Page 29
... beginning and one at the end of the play , are given as a frame around the dis- armingly accurate word for what lies between : contention . This in itself indicates a main reason why there is little commentary in this play . In the ...
... beginning and one at the end of the play , are given as a frame around the dis- armingly accurate word for what lies between : contention . This in itself indicates a main reason why there is little commentary in this play . In the ...
Page 64
... beginning and end of Titus Andronicus , and the Prince of Verona has civic order as his main preoccupation in Romeo and Juliet , but neither play gives the impression of being closely concerned with affairs of state . Yet both Marcus ...
... beginning and end of Titus Andronicus , and the Prince of Verona has civic order as his main preoccupation in Romeo and Juliet , but neither play gives the impression of being closely concerned with affairs of state . Yet both Marcus ...
Page 135
... beginning " This deed unshapes me quite ' ( IV.4.23 ) with equanimity . He is showing signs of repentance , but he is also confident that Isabella's modesty and his own authority will see him through . The Duke next appears as himself ...
... beginning " This deed unshapes me quite ' ( IV.4.23 ) with equanimity . He is showing signs of repentance , but he is also confident that Isabella's modesty and his own authority will see him through . The Duke next appears as himself ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York