Commentary and Control in Shakespeare's Plays |
From inside the book
Results 1-3 of 40
Page 208
... calls the gardeners choric ( see note 20 above ) ; Brooke calls the function of the interlude choric on p . 129 ; John Wain cites the gardener as an example of figures ' as impersonal as the Greek chorus whose function they partly ...
... calls the gardeners choric ( see note 20 above ) ; Brooke calls the function of the interlude choric on p . 129 ; John Wain cites the gardener as an example of figures ' as impersonal as the Greek chorus whose function they partly ...
Page 212
... calls Touchstone ' the first truly wise fool to caper and tumble across the Elizabethan stage ' ( p . 15 ) . In ' As You Like It ' , Harold Jenkins speaks of Touchstone as a reminder of the flesh ( p . 48 ) , the play's most natural man ...
... calls Touchstone ' the first truly wise fool to caper and tumble across the Elizabethan stage ' ( p . 15 ) . In ' As You Like It ' , Harold Jenkins speaks of Touchstone as a reminder of the flesh ( p . 48 ) , the play's most natural man ...
Page 213
... calls her Shakespeare's ' ideal woman ' ( p . 162 ) ; and John Palmer has also succumbed to her charm : ' Rosalind stands in no need of correction save by her own true heart and wholesome intelligence ' ( p . 39 ) . 43 E. C. Pettet ...
... calls her Shakespeare's ' ideal woman ' ( p . 162 ) ; and John Palmer has also succumbed to her charm : ' Rosalind stands in no need of correction save by her own true heart and wholesome intelligence ' ( p . 39 ) . 43 E. C. Pettet ...
Other editions - View all
Common terms and phrases
action aesthetic Alfred Harbage All's Antony and Cleopatra Apemantus Arden argues artist attitude Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comedy comic commentary Coriolanus critical death discusses dramatic authority dramatist Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion interpretation irony Jaques John Russell Brown judgement Julius Caesar L. C. Knights Lear's London lovers Macbeth main characters Marcus Measure for Measure Midsummer Night's Dream moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words