Commentary and Control in Shakespeare's Plays |
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Page 13
... choric charac- ters that I have found , Dean Carson Frye , makes the same claim , though in a more circumspect ... choric " simply because we may ourselves approve of his commentary , and if one goes on to use such " choric " statements ...
... choric charac- ters that I have found , Dean Carson Frye , makes the same claim , though in a more circumspect ... choric " simply because we may ourselves approve of his commentary , and if one goes on to use such " choric " statements ...
Page 41
... choric ' at all ; to do so is to deprive the word of any usefully limiting function . If comedies , as is generally thought , measure actions against social norms , mem- bers of society are natural ingredients , and their attitudes and ...
... choric ' at all ; to do so is to deprive the word of any usefully limiting function . If comedies , as is generally thought , measure actions against social norms , mem- bers of society are natural ingredients , and their attitudes and ...
Page 223
... choric authority for Antony's soliloquy after his first en- counter with the conspirators ( p . 50 ) . I prefer Knights ' comment , on p . 46 of ' Personality and Politics ' , that there is ' no obvious comment , but the different ...
... choric authority for Antony's soliloquy after his first en- counter with the conspirators ( p . 50 ) . I prefer Knights ' comment , on p . 46 of ' Personality and Politics ' , that there is ' no obvious comment , but the different ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York