Commentary and Control in Shakespeare's Plays |
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Page 10
... Critical discussion that tries to isolate separate elements of this complex , such as the ' work itself ' or its ' meaning ' , the artist solving his problems , or the spectator enjoying himself , fails to close the circuit of ...
... Critical discussion that tries to isolate separate elements of this complex , such as the ' work itself ' or its ' meaning ' , the artist solving his problems , or the spectator enjoying himself , fails to close the circuit of ...
Page 14
... critical approach I am pleading for ought to put me in a position to distinguish it in context without running foul of objections like those mentioned above . Consideration of this ' multi - conscious ' spectator response points the way ...
... critical approach I am pleading for ought to put me in a position to distinguish it in context without running foul of objections like those mentioned above . Consideration of this ' multi - conscious ' spectator response points the way ...
Page 72
... critical moment in the play . The issue is left in the balance between the bad king and the usurper —if one disregards the sequence of events , the shifts of sympathy in the course of the two hours ' traffic.23 Basically , both Gaunt ...
... critical moment in the play . The issue is left in the balance between the bad king and the usurper —if one disregards the sequence of events , the shifts of sympathy in the course of the two hours ' traffic.23 Basically , both Gaunt ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York