Commentary and Control in Shakespeare's Plays |
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Page 14
... everything he sees and hears , is his hope that things will turn out all right , or his fear that they may not . These hopes and fears go hand in hand with his sympathetic or antipathetic re- actions to the characters . It is our ...
... everything he sees and hears , is his hope that things will turn out all right , or his fear that they may not . These hopes and fears go hand in hand with his sympathetic or antipathetic re- actions to the characters . It is our ...
Page 31
... Everything so far has led up to this battle , one in a series of encounters in which one side wins and then the other . In this case we see the Yorkists on the point of despairing early in the battle but being rallied by young Richard ...
... Everything so far has led up to this battle , one in a series of encounters in which one side wins and then the other . In this case we see the Yorkists on the point of despairing early in the battle but being rallied by young Richard ...
Page 62
... everything is born of earth and returns to it again , and how there are good and evil properties in everything , with neither absolutely dominant , just like Grace and Will in human beings.26 It is the use to which the properties are ...
... everything is born of earth and returns to it again , and how there are good and evil properties in everything , with neither absolutely dominant , just like Grace and Will in human beings.26 It is the use to which the properties are ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York