Commentary and Control in Shakespeare's Plays |
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Page 10
... experience : the wires are not live . The critic must relive and account for the shaped experience undergone as a spectator , however inadequate his one - dimensional formulation after the event is doomed to be . This basis in response ...
... experience : the wires are not live . The critic must relive and account for the shaped experience undergone as a spectator , however inadequate his one - dimensional formulation after the event is doomed to be . This basis in response ...
Page 17
... experience to us . When attention is moved away from , shall we say , nuggets of fool's gold , and focuses on how ... experience , seem to be undermined . As Shakespeare brings us through our corresponding dramatic experience to balance ...
... experience to us . When attention is moved away from , shall we say , nuggets of fool's gold , and focuses on how ... experience , seem to be undermined . As Shakespeare brings us through our corresponding dramatic experience to balance ...
Page 194
... experience moving through time.15 One cer- tainly experiences the feeling , suggested by Charles Morgan , of waiting for parts to fall into place , and the feeling that they are doing so , both part and parcel of Shakespeare's making ...
... experience moving through time.15 One cer- tainly experiences the feeling , suggested by Charles Morgan , of waiting for parts to fall into place , and the feeling that they are doing so , both part and parcel of Shakespeare's making ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York