Commentary and Control in Shakespeare's Plays |
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Page 65
... hero and heroine themselves . Their relationship is both heart - rending and beautiful . At the end of his play , Marcus knows the facts and justifies Titus ' revenge ; and we probably leave the play feeling that no more is necessary ...
... hero and heroine themselves . Their relationship is both heart - rending and beautiful . At the end of his play , Marcus knows the facts and justifies Titus ' revenge ; and we probably leave the play feeling that no more is necessary ...
Page 94
... Hero , and Hero's death . The atmosphere of easy deception is established by the early , and otherwise apparently irrelevant , mistaken report to Leonato of Pedro's intent to woo Hero - which he does , but on Claudio's behalf — and by ...
... Hero , and Hero's death . The atmosphere of easy deception is established by the early , and otherwise apparently irrelevant , mistaken report to Leonato of Pedro's intent to woo Hero - which he does , but on Claudio's behalf — and by ...
Page 95
... Hero's death and by the revelations of Borachio to paying homage at an empty tomb and to marrying ' Hero's cousin ' sight unseen . Hearsay and camouflage work again , but this time beneficially . The masked bride unmasks to become a ...
... Hero's death and by the revelations of Borachio to paying homage at an empty tomb and to marrying ' Hero's cousin ' sight unseen . Hearsay and camouflage work again , but this time beneficially . The masked bride unmasks to become a ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York