Commentary and Control in Shakespeare's Plays |
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Page 113
... nature . The Fool's heart , one is left to guess , breaks.39 The rest of the odd group move towards Dover . Edgar ... nature from the general curse Which twain have brought her to . ( IV.6.210 ) 40 We have met her as beneficent nature ...
... nature . The Fool's heart , one is left to guess , breaks.39 The rest of the odd group move towards Dover . Edgar ... nature from the general curse Which twain have brought her to . ( IV.6.210 ) 40 We have met her as beneficent nature ...
Page 161
... nature cries " Deny not " ( V.3.33 ) . He attempts to cut all ties— As if a man were author of himself And knew no other kin . ( V.3.36 ) But nature and kinship win , though he knows that to reprieve Rome may be most mortal to him - as ...
... nature cries " Deny not " ( V.3.33 ) . He attempts to cut all ties— As if a man were author of himself And knew no other kin . ( V.3.36 ) But nature and kinship win , though he knows that to reprieve Rome may be most mortal to him - as ...
Page 173
... nature coalesce , 25 Prospero making symbols like sea and storm do his bidding ' in reality ' while Shakespeare uses them sym- bolically . But neither he nor his busy stage - manager Ariel can alter the cast . Even the greatest power of ...
... nature coalesce , 25 Prospero making symbols like sea and storm do his bidding ' in reality ' while Shakespeare uses them sym- bolically . But neither he nor his busy stage - manager Ariel can alter the cast . Even the greatest power of ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York