Commentary and Control in Shakespeare's Plays |
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Page 117
... never completely dissociate ourselves from Macbeth , and even at the end are only a hair's breadth from accepting his vision of life as a tale told by an idiot.50 However , we do not accept it . There is a balance . We feel the relief ...
... never completely dissociate ourselves from Macbeth , and even at the end are only a hair's breadth from accepting his vision of life as a tale told by an idiot.50 However , we do not accept it . There is a balance . We feel the relief ...
Page 152
... never had anything to lose . But cooler reflection shows the force of Apemantus ' arguments : Timon's misanthropy was not a philosophy of his own choosing , and he is still proud . Apemantus is certainly right , one feels , when he says ...
... never had anything to lose . But cooler reflection shows the force of Apemantus ' arguments : Timon's misanthropy was not a philosophy of his own choosing , and he is still proud . Apemantus is certainly right , one feels , when he says ...
Page 154
... never seen her ! ' ( I.2.163 ) Enobarbus returns the praise of a tourist : ' you had then left unseen a wonderful piece of work ' ( 1.2.164 ) . When Antony finally checks him - he is witty even over Fulvia's death - he becomes the ...
... never seen her ! ' ( I.2.163 ) Enobarbus returns the praise of a tourist : ' you had then left unseen a wonderful piece of work ' ( 1.2.164 ) . When Antony finally checks him - he is witty even over Fulvia's death - he becomes the ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York