Commentary and Control in Shakespeare's Plays |
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Page 10
... performance , since the temporal sequence of the experience has been planned by the artist , consciously carving his shape in time , anticipating the succession of reactions in which the corresponding shape becomes manifest to the ...
... performance , since the temporal sequence of the experience has been planned by the artist , consciously carving his shape in time , anticipating the succession of reactions in which the corresponding shape becomes manifest to the ...
Page 192
... performance and an interpretation ; but an absorbed reader will find the choices increasingly making themselves : the accu- mulating impulses from within the play itself result in a sense of direction . Shakespeare continually blends ...
... performance and an interpretation ; but an absorbed reader will find the choices increasingly making themselves : the accu- mulating impulses from within the play itself result in a sense of direction . Shakespeare continually blends ...
Page 232
... performance ; ' Stopping , it stops being theater ' ( Dynamics of Drama , p . 129 ) . 10 By E. H. Gombrich , on p . 205 of Art and Illusion . 11 ' The Nature of Dramatic Illusion ' . 12 See p . 12 , and note 6 on p . 199 . 13 ' A ...
... performance ; ' Stopping , it stops being theater ' ( Dynamics of Drama , p . 129 ) . 10 By E. H. Gombrich , on p . 205 of Art and Illusion . 11 ' The Nature of Dramatic Illusion ' . 12 See p . 12 , and note 6 on p . 199 . 13 ' A ...
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Common terms and phrases
action aesthetic Alfred Harbage All's Antony and Cleopatra Apemantus Arden argues artist attitude Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comedy comic commentary Coriolanus critical death discusses dramatic authority dramatist Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion interpretation irony Jaques John Russell Brown judgement Julius Caesar L. C. Knights Lear's London lovers Macbeth main characters Marcus Measure for Measure Midsummer Night's Dream moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words