Commentary and Control in Shakespeare's Plays |
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Page 96
... play's ' punctum indifferens ' ; he has also been said to replace Don Pedro , when the latter is gulled , as the play's sensible figure.58 But if he is more than the organizer of part of the play's denouement , if he relates to anything ...
... play's ' punctum indifferens ' ; he has also been said to replace Don Pedro , when the latter is gulled , as the play's sensible figure.58 But if he is more than the organizer of part of the play's denouement , if he relates to anything ...
Page 173
... play , Prospero puts on his own play and plays - within - the - play . " Art and nature coalesce , 25 Prospero making symbols like sea and storm do his bidding ' in reality ' while Shakespeare uses them sym- bolically . But neither he ...
... play , Prospero puts on his own play and plays - within - the - play . " Art and nature coalesce , 25 Prospero making symbols like sea and storm do his bidding ' in reality ' while Shakespeare uses them sym- bolically . But neither he ...
Page 227
... play as a tragedy that emerges from a comic chrysalis , leaving Enobarbus behind : ' The Comic Pattern and Vision in Antony and Cleopatra ' . 52 Danby calls the play ' Shakespeare's critique of judgment ' on p . 136. Wilson Knight ...
... play as a tragedy that emerges from a comic chrysalis , leaving Enobarbus behind : ' The Comic Pattern and Vision in Antony and Cleopatra ' . 52 Danby calls the play ' Shakespeare's critique of judgment ' on p . 136. Wilson Knight ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York