Commentary and Control in Shakespeare's Plays |
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Page 78
... realize , after our sympathies and hopes and fears have gone first one way and then the other , is how complex things are . One main advance in complexity over the earlier histories is in the characters . Commentary comes more often ...
... realize , after our sympathies and hopes and fears have gone first one way and then the other , is how complex things are . One main advance in complexity over the earlier histories is in the characters . Commentary comes more often ...
Page 113
... realizes that Lear finds in Poor Tom a more satisfactory philosopher , or that he can no longer out - jest Lear's injuries , or that Lear will stubbornly insist on not being contented , but will continue struggling with the causes in ...
... realizes that Lear finds in Poor Tom a more satisfactory philosopher , or that he can no longer out - jest Lear's injuries , or that Lear will stubbornly insist on not being contented , but will continue struggling with the causes in ...
Page 142
... realize , however unwillingly , have more to do with reality . The discord that we witness is due to the prev ... realizes that it shows the sudden emergence of the youthful Troilus into a sort of maturity in precisely the terms of ...
... realize , however unwillingly , have more to do with reality . The discord that we witness is due to the prev ... realizes that it shows the sudden emergence of the youthful Troilus into a sort of maturity in precisely the terms of ...
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Common terms and phrases
action aesthetic Alfred Harbage All's Antony and Cleopatra Apemantus Arden argues artist attitude Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comedy comic commentary Coriolanus critical death discusses dramatic authority dramatist Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion interpretation irony Jaques John Russell Brown judgement Julius Caesar L. C. Knights Lear's London lovers Macbeth main characters Marcus Measure for Measure Midsummer Night's Dream moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words