Commentary and Control in Shakespeare's Plays |
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Page 124
... reasons for this , the selection that Willard Farnham has considered under the heading Shakespeare's Tragic Frontier . In ... reason is that the questioning intent is reflected in ex- perimental form.8 Into comic ointment go unregenerate ...
... reasons for this , the selection that Willard Farnham has considered under the heading Shakespeare's Tragic Frontier . In ... reason is that the questioning intent is reflected in ex- perimental form.8 Into comic ointment go unregenerate ...
Page 188
... reason and its stage concomitant , language , these plays expose intellectual blind spots . Brutus , the thinking man , is repeatedly in error , not least when appealing to reason . Troilus ' vision disintegrates , Hector sweeps his own ...
... reason and its stage concomitant , language , these plays expose intellectual blind spots . Brutus , the thinking man , is repeatedly in error , not least when appealing to reason . Troilus ' vision disintegrates , Hector sweeps his own ...
Page 223
... reason is a major contention in both Norman Rabkin's Shakespeare and the Common Understanding and Terence Hawkes ' Shakespeare and the Reason . 22 The effect of the play's movement through time is taken into account by A. S. Knowland in ...
... reason is a major contention in both Norman Rabkin's Shakespeare and the Common Understanding and Terence Hawkes ' Shakespeare and the Reason . 22 The effect of the play's movement through time is taken into account by A. S. Knowland in ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York