Commentary and Control in Shakespeare's Plays |
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Page 11
... responses . This , I maintain , he is ( even if only of his own , originally ) ; and no artist more so , and more ... response that is part of one reader / spectator's accumulating experience up to that point in the play may pass ...
... responses . This , I maintain , he is ( even if only of his own , originally ) ; and no artist more so , and more ... response that is part of one reader / spectator's accumulating experience up to that point in the play may pass ...
Page 15
... response that is intuitive , emotional , and moral , but also ironic . Clearly , this comes into play when the spectator is assessing com- mentary . The speaker may appear to be reliable , perhaps for no better reason than that he ...
... response that is intuitive , emotional , and moral , but also ironic . Clearly , this comes into play when the spectator is assessing com- mentary . The speaker may appear to be reliable , perhaps for no better reason than that he ...
Page 123
... responses ; but for that very reason , in view of my emphasis on response , the two types of play the terms designate provide useful grounds for comparison . In ' The Problem Plays , 1920-1970 : a Retrospect ' , Michael Jamieson ...
... responses ; but for that very reason , in view of my emphasis on response , the two types of play the terms designate provide useful grounds for comparison . In ' The Problem Plays , 1920-1970 : a Retrospect ' , Michael Jamieson ...
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Common terms and phrases
action aesthetic Alfred Harbage All's Antony and Cleopatra Apemantus Arden argues artist attitude Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comedy comic commentary Coriolanus critical death discusses dramatic authority dramatist Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion interpretation irony Jaques John Russell Brown judgement Julius Caesar L. C. Knights Lear's London lovers Macbeth main characters Marcus Measure for Measure Midsummer Night's Dream moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words