Commentary and Control in Shakespeare's Plays |
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Page 34
... structure . Most conspicuous of these is witch - like old Queen Margaret , " unhistorically lurking about the court . With grievances that reach back through two earlier plays , and a thirst for vengeance that can only vent itself in ...
... structure . Most conspicuous of these is witch - like old Queen Margaret , " unhistorically lurking about the court . With grievances that reach back through two earlier plays , and a thirst for vengeance that can only vent itself in ...
Page 201
... Structure of Richard the Third ' . 32 Lily B. Campbell sees the prayers and curses as interwoven with structure and plot , in Shakespeare's " Histories " : Mirrors of Elizabethan Policy , pp . 313-17 . 33 In Shakespeare as a Dramatic ...
... Structure of Richard the Third ' . 32 Lily B. Campbell sees the prayers and curses as interwoven with structure and plot , in Shakespeare's " Histories " : Mirrors of Elizabethan Policy , pp . 313-17 . 33 In Shakespeare as a Dramatic ...
Page 235
... Structure of King John ' , ELH , 18 ( 1951 ) , 253-74 . Bonnard , G. A. , ' The Actor in Richard II ' , SJ , 87/88 ( 1951-52 ) , 87-101 . -Shakespeare's Purpose in Midsummer Night's Dream ' , SJ , 92 ( 1956 ) 268-79 . Bowers , Fredson T ...
... Structure of King John ' , ELH , 18 ( 1951 ) , 253-74 . Bonnard , G. A. , ' The Actor in Richard II ' , SJ , 87/88 ( 1951-52 ) , 87-101 . -Shakespeare's Purpose in Midsummer Night's Dream ' , SJ , 92 ( 1956 ) 268-79 . Bowers , Fredson T ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York