Commentary and Control in Shakespeare's Plays |
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Page 57
... sympathy on moral stan- dards ; but Marcus is probably successful in playing for sympathies , at this point and later . There follows the strange mealtime scene , disrupted by Marcus ' killing of a fly , an act he has justify to Titus ...
... sympathy on moral stan- dards ; but Marcus is probably successful in playing for sympathies , at this point and later . There follows the strange mealtime scene , disrupted by Marcus ' killing of a fly , an act he has justify to Titus ...
Page 183
... sympathy . That the difficulty of kingship should find reflection in the dra- matic form is hardly surprising , and I find it helpful to see these plays as a search for an appropriate controlling figure and the right mode of dramatic ...
... sympathy . That the difficulty of kingship should find reflection in the dra- matic form is hardly surprising , and I find it helpful to see these plays as a search for an appropriate controlling figure and the right mode of dramatic ...
Page 187
... sympathy . Then in the final plays this gives way to the most complete fusion of all between commentary , sympathy , and dramatic authority . In the two plays I have called ' problem comedies ' , any experi- menting Shakespeare may have ...
... sympathy . Then in the final plays this gives way to the most complete fusion of all between commentary , sympathy , and dramatic authority . In the two plays I have called ' problem comedies ' , any experi- menting Shakespeare may have ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York