Commentary and Control in Shakespeare's Plays |
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Page 12
... thought of as the author's spokesman . Obviously , there are expressions of thought in drama . They are not the same as expressions of the play's meaning . Una Ellis - Fermor found it a differentiating quality of drama that it gives the ...
... thought of as the author's spokesman . Obviously , there are expressions of thought in drama . They are not the same as expressions of the play's meaning . Una Ellis - Fermor found it a differentiating quality of drama that it gives the ...
Page 34
... thoughts we catch in the act of being thought rather than ready - formulated , who capture the imagination , and Richard grips from line 1 on . Add to this the gratifying ironic advantage over other characters that his confidences give ...
... thoughts we catch in the act of being thought rather than ready - formulated , who capture the imagination , and Richard grips from line 1 on . Add to this the gratifying ironic advantage over other characters that his confidences give ...
Page 77
... thought of as didactic are designed to affect a theatre audience at the emotional level need not be to deny them didactic import . One could have one's cake and eat it . A great deal of deservedly familiar scholarly writing has linked ...
... thought of as didactic are designed to affect a theatre audience at the emotional level need not be to deny them didactic import . One could have one's cake and eat it . A great deal of deservedly familiar scholarly writing has linked ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York