Commentary and Control in Shakespeare's Plays |
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Page 19
... watch developments from an almost constant distance . Asides or soliloquies from the Bishop of Winchester , the Duke of York , or the Duke of Somerset increase suspense rather than audience contact , spelling out the intrigues and ...
... watch developments from an almost constant distance . Asides or soliloquies from the Bishop of Winchester , the Duke of York , or the Duke of Somerset increase suspense rather than audience contact , spelling out the intrigues and ...
Page 45
... watches and comments very aptly . This is dramatic irony at the expense of the villain who thinks he is deceiving everyone , and who has previously been the mainspring of dramatic irony himself . Here Julia undertakes to watch with us ...
... watches and comments very aptly . This is dramatic irony at the expense of the villain who thinks he is deceiving everyone , and who has previously been the mainspring of dramatic irony himself . Here Julia undertakes to watch with us ...
Page 95
... watch . To Don Pedro and Claudio , Borachio can rightly say ' I have deceived even your very eyes ' , and he continues , ' what your wisdoms could not discover , these shallow fools have brought to light ; who in the night overheard me ...
... watch . To Don Pedro and Claudio , Borachio can rightly say ' I have deceived even your very eyes ' , and he continues , ' what your wisdoms could not discover , these shallow fools have brought to light ; who in the night overheard me ...
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Common terms and phrases
accept action agree Antony appears argues attitude audience authority becomes beginning Bertram bring calls characters close comedy comes comic commentary completely concern conclusion Coriolanus critical death discusses dramatic Dream Duke early effect Elizabethan emotional evil experience feel figure final follow Fool Friar gives Hamlet hand hear Henry hero hopes human idea important interpretation issues John keep King Knight Lear leave lines London look Macbeth meaning Measure mind moral move nature never perhaps play play's plot political present problem Prospero provides question reason relation response Richard says scene seems seen sense Shakespeare shows speaks spectator speech stage story structure Studies suggests sympathy theme things thought Timon Titus tragedy tragic Troilus and Cressida turn values watch writes York