The Works of Shakespeare: A midsummer-night's dreamMethuen, 1905 |
From inside the book
Results 1-5 of 42
Page xvi
... Titania calls for Pease - blossom ! Cobweb ! Moth ! ( Qq , Ff ) and Mustardseed ! and the four little fairies enter , exclaiming in turn , “ Ready , " " And I , ” “ And I , ” “ And I. ” In the Folio , Titania's call is converted into a ...
... Titania calls for Pease - blossom ! Cobweb ! Moth ! ( Qq , Ff ) and Mustardseed ! and the four little fairies enter , exclaiming in turn , “ Ready , " " And I , ” “ And I , ” “ And I. ” In the Folio , Titania's call is converted into a ...
Page xvii
... Titania's call , and the only stage - direction is , Enter foure Fairyes . All proper names in the Qq , Ff are printed in italics , as are also all stage - directions . Now in QI the Queen's summons to her attendants is correctly ...
... Titania's call , and the only stage - direction is , Enter foure Fairyes . All proper names in the Qq , Ff are printed in italics , as are also all stage - directions . Now in QI the Queen's summons to her attendants is correctly ...
Page xxii
... autumn of 1594-95 , and was in all probability acted in the succeeding month of January , if not earlier . 1. The first and most important allusion is contained in II . i . 81–117 , namely , Titania's description xxii INTRODUCTION.
... autumn of 1594-95 , and was in all probability acted in the succeeding month of January , if not earlier . 1. The first and most important allusion is contained in II . i . 81–117 , namely , Titania's description xxii INTRODUCTION.
Page xxiii
... Titania's description , which , in its place , is not particularly dramatic or requisite , would at any rate have special point for audiences hearing the play late in 1594 or early in 1595 , and not likely to have for- gotten the ...
... Titania's description , which , in its place , is not particularly dramatic or requisite , would at any rate have special point for audiences hearing the play late in 1594 or early in 1595 , and not likely to have for- gotten the ...
Page xxxvi
... Titania , and Puck was in accordance with tradition and romance . " In fact , Shakespeare , the dramatist , even at this early stage of his career , saw fit to reject as unsuitable for his play material which Chaucer , the poet , found ...
... Titania , and Puck was in accordance with tradition and romance . " In fact , Shakespeare , the dramatist , even at this early stage of his career , saw fit to reject as unsuitable for his play material which Chaucer , the poet , found ...
Common terms and phrases
Athenian Athens Bottom called Capell Collier colour Comedy Cotgrave Craig refers Demetrius doth Dyce editors Egeus emendation Enter Quince Exeunt Exit eyes Faerie Queene fair fairy flower Folio Furness give Golding's Halliwell Hamlet Hanmer hast hath hear heart Helena Henry Hermia Hippolyta hounds Hudson Johnson Julius Cæsar Keightley King Lear lion lord loue Love's Labour's Lost lovers Lysander Malone meaning Merry Wives Midsummer-Night's Dream moon night Oberon omitted Qq passage Philostrate play poet Pope probably prologue Puck Pyramus Pyramus and Thisbe Queen Quin quotes Re-enter reading remarks rhyme Robin Goodfellow Romeo and Juliet Rowe says Scene seems sense Shake Shakespeare sleep Snout Snug speak speare's Spenser stage-direction Staunton Steevens sweet Tale Tempest thee Theseus Thisby thou tion Tita Titania true verse Walker conj wall Warburton winter wood woodbine word Wright
Popular passages
Page 132 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven, And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy; •• Or in the night, imagining some fear, How easy is a bush supposed a bear?
Page 9 - But earthlier happy is the rose distill'd Than that which, withering on the virgin thorn, Grows, lives, and dies in single blessedness.
Page 127 - Methought I was, and methought I had — but man is but a patched fool if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was.
Page 127 - I have had a most rare vision. I have had a dream, past the wit of man to say what dream it was: man is but an ass, if he go about to expound this dream.
Page 94 - All school-days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted ; But yet...
Page 131 - The lunatic, the lover, and the poet, Are of imagination all compact : One sees more devils than vast hell can hold ; That is, the madman : the lover, all as frantic, Sees Helen's beauty in a brow of Egypt : The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven, And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name.
Page 13 - Ah me! for aught that ever I could read. Could ever hear by tale or history, The course of true love never did run smooth: But, either it was different in blood; Her.
Page 14 - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Page 48 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back Uttering such dulcet and harmonious breath That the rude sea grew civil at her song, And certain stars shot madly from their spheres To hear the sea-maid's music.
Page xxvi - The thrice three muses mourning for the death Of learning, late deceased in beggary.