The Stage History of Shakespeare's King Richard the Third |
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Page 4
... show that the figure of Richard the Third was a familiar one , 11 that it appealed to the imagination in its portrayal ... shows that before , and con- temporary with its appearance on the stage , the subject was popular in several forms ...
... show that the figure of Richard the Third was a familiar one , 11 that it appealed to the imagination in its portrayal ... shows that before , and con- temporary with its appearance on the stage , the subject was popular in several forms ...
Page 56
... show that it was not used . The directions call for a balcony and two doors , but give no other indications of the ... shows , 127 by the part of the Presenter , or of a Chorus at the end of each stage of the action , as in " Soliman ...
... show that it was not used . The directions call for a balcony and two doors , but give no other indications of the ... shows , 127 by the part of the Presenter , or of a Chorus at the end of each stage of the action , as in " Soliman ...
Page 108
... show how great must have been the change in the character of the last scenes.17 Throughout the period great regard for costume , so far as richness of effect was concerned , persisted , but little was done for its propriety , as the ...
... show how great must have been the change in the character of the last scenes.17 Throughout the period great regard for costume , so far as richness of effect was concerned , persisted , but little was done for its propriety , as the ...
Contents
I | 1 |
RICHARD THE THIRD ON THE Elizabethan Stage | 25 |
RICHARD THE THIRD AND THE DRAMA OF THE RESTORA | 60 |
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actor Alphonsus of Arragon America appeared ard the Third audience Battle of Alcazar Betterton Booth Buckingham Burbage century Charles Kean chronicle play Colley Cibber comic conception costume Covent Garden crown curtain death Ditto drama dress Drury Lane edition Edwin Booth effect Elizabethan stage English Princess epic F. G. Fleay favorite figure Fleay Garrick Genest ghost given gives Hallam Henry the Sixth Henslowe's hero heroic play horse imitation interest Irving Kean Kean's Kemble King Richard Lady Anne lament later lines Locrine London Lord Margaret Marlowe Marlowe's murder of Clarence original Park Theatre performance popular presentation Prince Prologue Queen Elizabeth Quin restoration Revenge Plays revival Rich Richard the Third Richardus Tertius Richmond says Scene scenery season seems Seilhamer Senecan Shakespeare Shakespeare's plays Shakespearian shows soliloquy Spanish Tragedy speech stage directions success suggests Tamburlaine theatrical tion Tressel True Tragedy villain wooing